• EUP 75: Our Publishing in Scottish Studies

    Discover the story of Scottish Studies at Edinburgh University Press – the first publications, the books that changed the field and what you can expect to see in future

    Read more: EUP 75: Our Publishing in Scottish Studies

Doing History in the Age of Downton Abbey

Julie Anne Taddeo As the most watched period drama in television history, Downton Abbey has met with popular success but not always critical acclaim. Historians in particular have criticized what they see as the series’ conservative politics and nostalgic view…

Susanne Bier

In Conversation with Susanne Bier

Missy Molloy, Mimi Nielsen and Meryl Shriver-Rice caught-up with Academy Award®, Golden Globe Award and Emmy Award winning writer and director Susanne Bier, as research for their recently published book ReFocus: The Films of Susanne Bier. The full interview is…

British Women Amateur Filmmakers

British Women Amateur Filmmakers

Our book examines how and where women made and showed their films; and what those experiences reveal about the women holding the cameras and the profoundly changing twentieth century world they captured on film. Whether teachers, homemakers, unmarried, middle or…

A history of American horror film in 10 images

In his new book, The Birth of the American Horror Film, Gary D. Rhodes delves into the archives to focus on 10 key horror genres prominent in American cinema between 1895 and 1915. From ghosts and witches to mad scientists…

Józefów

Documentary Landscapes of the Holocaust

Journey to Poland: Documentary Landscapes of the Holocaust is about the journeys undertaken by survivors, members of the postgeneration, and filmmakers to the places where the Jews lived before the war and to the places where they were murdered. This…

Class and Feeling in the Films of Jia Zhangke

Class and Feeling in the Films of Jia Zhangke

In 2008, I saw Jia Zhangke’s film Still Life, and it changed my life. I had never seen a film that had affected me so intensely and knew that, after that moment, I needed to research this director and his films further. What impacted me the most about Jia’s films were their emotional and affective qualities, and how they evoked feelings that lingered long after the films had ended.
Genre, Authorship and Contemporary Women Filmmakers

Women’s Cinema as Genre Cinema

An extract from the introduction of Genre, Authorship and Contemporary Women Filmmakers By Katarzyna Paszkiewicz   I don’t think I’ve read the words women and film and feminism in the same sentence as much in the last few months since…