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How should Big Oil spend big money?
Read moreby Ernesto Bonafé Big Oil faces an existential question: How to spend its very large and, for some, ‘windfall’ or…
International Women’s Day: Celebrating the Pioneering Women of Arab Documentary
By Stefanie Van de Peer Negotiating Dissidence: The Pioneering Women of Arab Documentary is publishing this month, and it’s a significant…
Negotiating Theory and Practice in Television Production Hierarchy: Mumble-gate
Sunday 19th of February 2017 saw the launch of the BBC’s most recent big budget television drama SS-GB, a dystopian…
Brain Candy – My Top 6 Best First Person Zombie Narratives
By Stacey Abbott As the evenings draw in and the temperature drops, my mind turns toward the ghostly, the ghoulish…
Five Unmissable Performances from Penny Dreadful
By Benjamin Poore For the uninitiated, Penny Dreadful is a genre-busting neo-Victorian fantasy horror show, set in the 1890s, in…
A Study in Four Colours: The Case of the Chameleon Detective
By Lucyna Krawczyk-Żywko Sherlock Holmes, “the most portrayed literary human character in film and TV” (Guinness World Records News), is…
What is non-cinema?
By William Brown I was delighted that Film-Philosophy recently published my essay: ‘Non-Cinema: Digital, Ethics, Multitude’. The essay is a…
John Cura: Pioneer of the Television Archive
By Richard Wallace The work of John Cura is a fascinating side-note in the history of British television. Between 1947…
I Like Your Idea. Here’s Mine – Film-Philosophy and a World of Cinemas
By David Martin-Jones At the heart of “Film-Philosophy and a World of Cinemas” is discussion of a contentious and at…
The Devils Reconsidered
By Christophe Van Eecke Ken Russell is often considered more or less the court jester of British film history, and…