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Lost in translation: The influence of André Levinson and Arnold Haskell in Spain
Read more: Lost in translation: The influence of André Levinson and Arnold Haskell in Spainby Ana Abad-Carlés and Marina Peñaranda-Abad Our article for Dance Research 41(2) came to us in a very serendipitous way, […]
Lost in translation: The influence of André Levinson and Arnold Haskell in Spain
by Ana Abad-Carlés and Marina Peñaranda-Abad Our article for Dance Research 41(2) came to us in a very serendipitous way, when we saw that the Prologue to the Spanish edition of Serge Lifar’s book La Danse had been written by…
Writing Dancing and the Stance
by ‘Funmi Adewole Elliott Over the years I have carried out several research projects as a practitioner, at times with funding from organisations like the Arts Council and Chisenhale Dance Space or with support from The Space at Clarence Mews.…
A Conversation on the Nature of Practice in Hip-Hop
Making art is messy
by Simon Ellis Making art is messy. Artists make lots of decisions under less-than-ideal conditions without a clear understanding of how the work will turn out and how it will be felt and experienced by others. When we make artistic…
Introducing From Rumi to the Whirling Dervishes
by Walter Feldman Love is the Way and the Path of our Prophet. We are Love’s children, and Love is our Mother. Rumi These words echo down through the ages from when Mevlana (”Our Master”) Jalaluddin Rumi (d. 1273), first…
Margaret McGowan: A Tribute
by Richard Ralph In March this year, Dance Research lost two of its core members from its editorial team – Margaret McGowan and Clement Crisp, who had each been with the journal since its inception forty years ago. I have…
Folk Songs as Communication, Resistance, Lament, and Entertainment Among Women in Northeastern Afghanistan
By Wolayat Tabasum Niroo In the northeastern provinces of Afghanistan, talented women sing folk songs to entertain each other in female-only gatherings on happy occasions. The songs are accompanied by a diara or daff, a colorful frame drum made of…
The Holocaust and Climate Change: Shakespeare’s King Lear and Dennis Kelly’s The Gods Weep
by Dr Richard Ashby Dr Richard Ashby analyses the 2010 Dennis Kelly play The Gods Weep, showing that playwright Dennis Kelly appropriates King Lear to interrogate the relationship between the Holocaust and climate change. Near the end of the 2010…
A Cannibal Poet In King James’ Court
By Brett Andrew Jones It wasn’t every day that accusations of cannibalism flew around the early Jacobean court. That’s (one reason) why I found the revised version of Mucedorus so interesting. It hardly compares well to what we consider the…