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A Q&A with the editors of Refocus: The Films of Jane Campion
Read moreby Alexia L. Bowler and Adele Jones Refocus: The Films of Jane Campion (2023) is the first collection of scholarly […]
Introducing From Rumi to the Whirling Dervishes
by Walter Feldman Love is the Way and the Path of our Prophet. We are Love’s children, and Love is our Mother. Rumi These words echo down through the ages from when Mevlana (”Our Master”) Jalaluddin Rumi (d. 1273), first…
Margaret McGowan: A Tribute
by Richard Ralph In March this year, Dance Research lost two of its core members from its editorial team – Margaret McGowan and Clement Crisp, who had each been with the journal since its inception forty years ago. I have…
Folk Songs as Communication, Resistance, Lament, and Entertainment Among Women in Northeastern Afghanistan
By Wolayat Tabasum Niroo In the northeastern provinces of Afghanistan, talented women sing folk songs to entertain each other in female-only gatherings on happy occasions. The songs are accompanied by a diara or daff, a colorful frame drum made of…
The Holocaust and Climate Change: Shakespeare’s King Lear and Dennis Kelly’s The Gods Weep
by Dr Richard Ashby Dr Richard Ashby analyses the 2010 Dennis Kelly play The Gods Weep, showing that playwright Dennis Kelly appropriates King Lear to interrogate the relationship between the Holocaust and climate change. Near the end of the 2010…
A Cannibal Poet In King James’ Court
By Brett Andrew Jones It wasn’t every day that accusations of cannibalism flew around the early Jacobean court. That’s (one reason) why I found the revised version of Mucedorus so interesting. It hardly compares well to what we consider the…
Living with Shakespeare – A Journey in Nine Acts
by Geoffrey Marsh Given that there is little information about Shakespeare’s life, people ask what made me think there was enough to write another book. The short answer is I didn’t. While I would like to claim that Living with…
Staging Banquo’s Ghost
Catherine Belsey and Alan Dessen discuss the complexities of creating Banquo's ghost for the stage in Macbeth.
Why do we call Middle Eastern dance “belly dance”?
English speakers use the term “belly dance” to describe solo, improvised dances from the Middle East and North Africa that feature intricate movements of the shoulders, chest, and hips. Where Did the Name “Belly Dance” Come From? It isn’t a…
100 Years Since the Russian Revolution
Looking Back at the Russian Revolution 2017 marks the 100th anniversary of the Russian Revolution, which occurred in March and November (Gregorian calendar) in 1917. The pair of revolutions saw the disassembly of the Tsarist autocracy in favour of the…