-
Originality and Artistic Impulse: From a Medieval Scottish Friar to Malevich’s Black Square
Read more: Originality and Artistic Impulse: From a Medieval Scottish Friar to Malevich’s Black SquareIs there any such thing as a new idea? Bryony Coombs discusses similarities in artistic expression, centuries apart.
Q&A with Mark Sandy, author of ‘Transatlantic Transformations of Romanticism’
Tell us a bit about Transatlantic Transformations of Romanticism Well, my book takes a fresh look at the literature of British Romanticism and its influence on twentieth- and twenty-first-century American literary culture and thought. It reads works of prose and…
The Classical Tradition in Modern American Fiction
By Tessa Roynon In recent weeks, the U.S. Capitol in Washington D.C. has been much in the public eye. Whether stormed by President Trump’s supporters on 6th January, or as the “hallowed ground” that formed the backdrop to President Biden’s…
The Appeal of the Fantastic and the Improbable in Late Eighteenth Century Children’s Literature: Part Three
By Maryam Khorasani and Hossein Nazari Read part 2 of the blog series. Maria Edgeworth’s Lucky Orphans As the century moved forward, the belief in the rags-to-riches narratives gradually started to give way to the significance of retaining social hierarchies,…
The Appeal of the Fantastic and the Improbable in Late Eighteenth Century Children’s Literature: Part Two
By Maryam Khorasani and Hossein Nazari Read part 1 of this blog series. Much Ado about Witchcraft in The History of Little Goody Two-Shoes Often cited as the earliest example of a children’s novel, The History of Little Goody Two-Shoes[i],…
The Appeal of the Fantastic and the Improbable in Late Eighteenth Century Children’s Literature: Part One
By Maryam Khorasani and Hossein Nazari Taking into account their concern about the moralistic upbringing of the children of a book-buying middle class, it should come as no surprise that the ‘irrational’ components of fairy stories were frowned upon by…
About William S. Burroughs
By Stanley Gontarski American outlier writer, William S. Burroughs, was a creative force, as a writer in his own right, and as a cultural theorist, particularly his anticipation of what we now regularly call “a society of control” or “a…
Ellroy and Me
By Nathan Ashman It was 2006 and James Ellroy was in the midst of penning the much anticipated third volume in his ‘Underworld USA Trilogy’, an epic criminal history of post-war America. I, meanwhile, was just about to begin my…
CounterText is five years old
CounterText: A Journal for the Study of the Post-Literary is five years old! To celebrate the occasion, Edinburgh University Press and the journal’s editorial team (based at the Department of English at the University of Malta) have put together a…