Antonia Wimbush explores how cultural works preserve the overlooked memories of Caribbean migration to France through the BUMIDOM program and challenge France’s national narrative.
Enit K Steiner, the author of Contesting Cosmopolitan Moments in the Long Eighteenth Century, discusses the making of her book in this blog.
by Jeffrey Knapp The first speaker in one of Shakespeare’s earliest plays is not a prince, like Hamlet, or a lover, like Juliet, or a warrior, like Macbeth. He’s a drunken beggar. And he’s incensed that the hostess of the tavern…
by Sophie Chiari and Anne-Marie Miller-Blaise In the following quiz, each answer is related to a particular chapter of The Ecology of Dress in Shakespeare and his Contemporaries. We hope, as a result, that this fun test will enable you…
by Marissa Greenberg and Elizabeth Williamson Perhaps the greatest challenge facing US institutions of higher education is the tension between an increasingly diverse student body and an inherently (and inherited) homogenous curriculum. “Meeting today’s students where they are” is a…
The author of Epistolary Courtiership and Dramatic Letters explains what the story of Thomas Overbury reveals about success at the court of James VI and I.
by Naomi Mottram Fans of Commedia dell’Arte know that wherever Arlecchino appears, he causes trouble. So perhaps I should have known that he would cause trouble for me… While creating my translation of Sofia Sinitskaia’s tale, Mitrofanushka Durasov, which features…
by Bob Evans In 2023, the Ben Jonson Journal celebrated its thirtieth anniversary with a special issue devoted to detailed explications of all 108 sonnets in the important Astrophil and Stella sonnet sequence composed by Sir Philip Sidney. Edinburgh University…
by Roberta Kwan Tell us a bit about your book. My book is about human knowing, or more precisely, humans as knowers. How can we know and be known? What prevents us from knowing? How should we know? The book…
by Joan Lord Hall What inspired you to research eros in Shakespeare’s work? Knowing that I had taught Shakespeare for about 40 years and had authored several guides to his play, a friend provocatively asked me “Why don’t you write…