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How should Big Oil spend big money?
Read moreby Ernesto Bonafé Big Oil faces an existential question: How to spend its very large and, for some, ‘windfall’ or…
Diversity of Digital Humanities in IJHAC
By the editors of IJHAC IJHAC: A Journal of Digital Humanities has been published since 1989, initially under the name History and…
The Egyptian Social Contract – Q&A With The Author
by Relli Shechter Tell us a bit about your book The Egyptian Social Contract discusses the long-term history of the…
Refocus: The Films Of Roberta Findlay – A Q&A With The Editors
by Whitney Strub and Peter Alilunas Tell us a bit about your book Alilunas and Strub: ReFocus: The Films of…
5 lesser-known examples of late-colonial French cinema
by Mani King Sharpe In the late 1950s and early 1960s, a spate of ‘late-colonial’ French films were made that…
Writing from the margins: Bosnian Hajjis’ understanding of the world
by Dženita Karić As I was doing research on the Hajj discourses in Bosnia from the 16th to the 21st…
Robert Burns’s Memory: A Matter of State
by Paul Malgrati Every year, on 25 January, Burns Night offers a remarkable opportunity for Scottish political parties to issue…
The ‘Curious Cleric’ and the Highlands Before Culloden: Rev. James Fraser (1634-1709) – Q&A
by David Worthington Tell us a bit about your book. It offers a different perspective on the Highlands in the…
The Place of Breath in Cinema: 10 Years On
Dr Davina Quinlivan The interdisciplinarian is best equipped to walk inside (and alongside) the lands of breathlessness, translating across border-lands wherever possible…
Maurizio Cinquegrani on writing ‘Film, Hot War Traces and Cold War Spaces’
by Maurizio Cinquegrani Film, Hot War Traces and Cold War Spaces was released in August by Edinburgh University Press; it’s…