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How should Big Oil spend big money?
Read moreby Ernesto Bonafé Big Oil faces an existential question: How to spend its very large and, for some, ‘windfall’ or…
Doing History in the Age of Downton Abbey
Julie Anne Taddeo As the most watched period drama in television history, Downton Abbey has met with popular success but…
In Conversation with Susanne Bier
Missy Molloy, Mimi Nielsen and Meryl Shriver-Rice caught-up with Academy Award®, Golden Globe Award and Emmy Award winning writer and…
British Women Amateur Filmmakers
Our book examines how and where women made and showed their films; and what those experiences reveal about the women…
A history of American horror film in 10 images
In his new book, The Birth of the American Horror Film, Gary D. Rhodes delves into the archives to focus…
Documentary Landscapes of the Holocaust
Journey to Poland: Documentary Landscapes of the Holocaust is about the journeys undertaken by survivors, members of the postgeneration, and…
An interview with independent filmmaker Kelly Reichardt
In the summer of 2015, Kelly Reichardt agreed to discuss career and production details with E. Dawn Hall and Allison…
Class and Feeling in the Films of Jia Zhangke
In 2008, I saw Jia Zhangke’s film Still Life, and it changed my life. I had never seen a film that had affected me so intensely and knew that, after that moment, I needed to research this director and his films further. What impacted me the most about Jia’s films were their emotional and affective qualities, and how they evoked feelings that lingered long after the films had ended.
Exploitation-horror? Halloween Stabbed it from the Theatres…
By Calum Waddell With the recent release of the trailer for the upcoming Halloween reboot, Michael Myers and his perennial…
Women’s Cinema as Genre Cinema
An extract from the introduction of Genre, Authorship and Contemporary Women Filmmakers By Katarzyna Paszkiewicz I don’t think I’ve…