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Edinburgh University Press Blog
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  • Cultural Studies
    • French Studies
    • Gender Studies
    • Irish Studies
    • Film and TV
    • Theatre and Dance
    • Islamic and Middle Eastern Studies
  • History
    • British History
    • Classics and Ancient History
    • Cultural History
    • Natural History
    • Religious History
    • Scottish History
    • World History
  • Language and Literature
    • Modernism
    • Literary Theory
    • Pre 19th Century Literary Studies
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Edinburgh University Press Blog
  • Sudden Changes in Global Order — From Ancient to Early Modern Iran and Beyond

    Dr M.A.H. Parsa explores Iran’s journey from Sasanian stability to Nader Shah’s empire.

    June 2, 2026
    Read more: Sudden Changes in Global Order — From Ancient to Early Modern Iran and Beyond

Structural Bias, Education Reform, and Victorian Women’s Poetry

  • Literary Studies

How nineteenth-century British school textbooks help to institutionalise gender bias and erase women poets from literary history?

  • ByEdinburgh University Press
  • OnJune 1, 2026

Henry Somers-Hall interviewed by Brent Adkins: Reading A Thousand Plateaus

Illustration of an archer in historical attire riding a black horse while drawing a bow and aiming an arrow backward.
  • Deleuzian Philosophy / Philosophy / Politics, Philosophy and Religion

Henry Somers-Hall talks to Brent Adkins (author of the bestselling critical introduction and guide to A Thousand Plateaus) about his new book, Reading A Thousand Plateaus, which takes us even deeper into Deleuze and Guattari's masterwork.

  • ByEdinburgh University Press
  • OnMay 25, 2026

From Multiple Possible Worlds to Fission-Fusion Experience

  • Language and Literature / Linguistics

From quantum theory to literary immersion, this blog examines how fission-fusion connects language, consciousness, and human experience.

  • ByEdinburgh University Press
  • OnMay 19, 2026

Repetition After Originality: Why Saying It Again Still Matters

  • Language and Literature / Literary Studies

This blog rethinks repetition in literature, showing how repeated forms can generate innovation, disrupt meaning, and reshape poetic practice.

  • ByEdinburgh University Press
  • OnMay 18, 2026

Contesting Language in the Seventeenth Century—and Now

Protestors at a “No Kings” protest in Boston in 2025 hold up a sign, reading “Welcome to Trump’s America where freedoms are gone and Republicans are silent.”
  • Language and Literature / Literary Studies

From Milton to modern politics, this blog explores how language in the seventeenth century influenced struggles over authority, belief, and freedom.

  • ByEdinburgh University Press
  • OnMay 15, 2026

Lessons from Scottish Schools

A black-and-white photo of a large neoclassical stone building with tall fluted columns, a triangular pediment, and ornate detailing along the roofline. The structure has a monumental, temple-like appearance, with dark shadows emphasizing the architectural features. Bushes and smaller adjoining sections of the building are visible in the foreground and left side.
  • Cultural Studies / Scottish History / Scottish Politics / Scottish Studies

Lindsay Paterson discusses Scotland’s educational decline and the social inequality of attainment.

  • ByEdinburgh University Press
  • OnMay 14, 2026

Q&A with Michelle Honeybun, author of “‘His Vest, I Perceive, Is But Padded with Cotton!”: John Bull in Cotton Famine Poetry during the American Civil War (1861–5)’

  • Literary Studies

This interview explores how John Bull became a literary and political figure in Victorian newspaper poetry during the American Civil War and the Cotton Famine.

  • ByEdinburgh University Press
  • OnMay 13, 2026

Diversity and the Physical Reality of the Late Roman World

  • Classics and Ancient History

A new series rethinks the late Roman world, exploring its diversity, transformations, and wide-reaching historical significance.

  • ByEdinburgh University Press
  • OnMay 11, 2026

Q&A with the author of Performing Worlds at the Baroque Court of Christine of France

Colour drawing of a staged theatrical scene framed by two symmetrical classical structures with niches containing gilded statues, flanked by trees. At the centre, a painted backdrop shows an island within an archipelago, with a visible settlement; in the foreground, a vessel approaches the shore. Four figures stand before the backdrop holding branches and other objects. The composition is enclosed within a thin rectangular gold border.
  • Cultural Studies / Language and Literature / Literary Studies / Theatre and Dance

This interview explores how Christine of France used Baroque court spectacles to shape political authority, global imagination, and cultures of consumption.

  • ByEdinburgh University Press
  • OnMay 8, 2026
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Popular posts

June 2, 2026

Sudden Changes in Global Order — From Ancient to Early Modern Iran and Beyond

June 1, 2026

Structural Bias, Education Reform, and Victorian Women’s Poetry

Illustration of an archer in historical attire riding a black horse while drawing a bow and aiming an arrow backward.
May 25, 2026

Henry Somers-Hall interviewed by Brent Adkins: Reading A Thousand Plateaus

May 19, 2026

From Multiple Possible Worlds to Fission-Fusion Experience

May 18, 2026

Repetition After Originality: Why Saying It Again Still Matters

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