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A Q&A with Daniela Berghahn on Exotic Cinema
Read moreby Daniela Berghahn Exotic Cinema author Daniela Berghahn chats to EUP on the inspiration behind the book and what surprised […]
Filming Modernity and Islam in Colonial Egypt
A Q&A with Heba Arafa Abdelfattah In this author Q&A, Heba Arafa Abdelfattah introduces her latest book, Filming Modernity and…
The Edinburgh Companion to Don DeLillo and the Arts: Q&A with the author
by Catherine Gander Tell us a bit about your book. The Edinburgh Companion to Don DeLillo and the Arts brings…
Lady Justice as an Allegory in Motion
by Valérie Hayaert Animated by signs that are in essence mutable, Justitia (Lady Justice) may be perceived as an allegory…
A Q&A with the authors of Liminal Noir in Classical World Cinema
by Lis Sodl, Elyce Rae Helford and Christopher Weedman Lis Sodl (M.A. Student, English Department, Middle Tennessee State University) interviews…
Cross-border Hydrogen Valleys – A step towards a hydrogen economy
by Marco Conte and Katharina Bouchaar, Enercy1 In recent years, the increasing interest in the clean Hydrogen sector has led…
A Q&A with Susan Kerns on ReFocus: The Films of Susan Seidelman
by Susan Kerns ReFocus: The Films of Susan Seidelman editor, Susan Kerns, discusses researching the book, what surprised her during…
5 Reasons Why All Graduate Education Should Include the Digital Humanities
by Bailey Betik and Alexander Cors Graduate education has traditionally been the final stage of academic apprenticeship, where individuals delve…
The Evolution of AI
by Jon Chun and Katherine Elkins Generative AI is a transformative force, reshaping both arts and humanities computing. Its recent…
5 Things Theocritus Can Teach Us About Things
by Lilah Grace Canevaro 1. Stone can sing You don’t notice your windows when they’re clean. You might enjoy the…