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  • Cultural Studies
    • French Studies
    • Gender Studies
    • Irish Studies
    • Film and TV
    • Theatre and Dance
    • Islamic and Middle Eastern Studies
  • History
    • British History
    • Classics and Ancient History
    • Cultural History
    • Natural History
    • Religious History
    • Scottish History
    • World History
  • Language and Literature
    • Modernism
    • Literary Theory
    • Pre 19th Century Literary Studies
    • Post 19th Century Literary Studies
    • Scottish Literature
    • Atlantic Literature
    • Linguistics
  • Law
    • Comparative Law
    • European Law
    • Islamic Law
    • Roman Law
    • Scots Law
  • Politics, Philosophy and Religion
    • Religion
    • Philosophy
    • Politics
    • Political Philosophy
    • Scottish Politics
    • Film Philosophy
  • Publishing
  • 6 things worth knowing about Jews and Muslims in the Maghreb

    Marta Domínguez Díaz explores the intertwined lives of Iberian Muslims and Jews exiled to the Maghrib.

    March 13, 2026
    Read more: 6 things worth knowing about Jews and Muslims in the Maghreb

5 Surprising Facts about Greta Gerwig

Two women sit on a small outdoor stage holding microphones and speaking to each other. One wears a bright pink dress and smiles while listening; the other wears a green dress and speaks into the microphone. Behind them is a large pink decorative sign, and two water bottles sit on a table between them. The setting appears to be a public talk or interview event.
  • Cultural Studies / Film and TV / Gender Studies

Did you know these facts about the Barbie (2023) director?

  • ByEdinburgh University Press
  • OnMarch 23, 2026

Borderland horror: Q&A with Anna Marta Marini

Barbed wire and razor wire coiled along the top of a tall metal security fence silhouetted against a dusk sky with the moon visible in the background.
  • Cultural Studies / Film and TV

Q&A with Anna Marta Marini, author of The US-Mexico Borderlands in Contemporary Horror. Crossing the Boundary

  • ByEdinburgh University Press
  • OnMarch 17, 2026

Q&A with the author of Artificial Fiction: Imagining Literary Possibility Beyond the Human

  • Literary Studies

A Q&A with the author of Artificial Fiction on the idea of AI-created storytelling, and how nonhuman narratives reshape literary theory.

  • ByEdinburgh University Press
  • OnMarch 16, 2026

5 Dimensions of Affect in Bergson’s Philosophy

A figure of a woman standing by the shore suggesting an encounter with affective forces
  • Philosophy / Politics, Philosophy and Religion

Henri Bergson's philosophy reveals time as a continuous and interconnected melody.

  • ByEdinburgh University Press
  • OnMarch 11, 2026

Femininity as ‘it’: Sexual Normativity within Schizoanalysis

  • Deleuzian Philosophy / Philosophy / Politics, Philosophy and Religion

Georgia Gibbs asks if schizoanalytic de-subjectification can contribute towards a feminist account of sexual normativity.

  • ByEdinburgh University Press
  • OnMarch 4, 2026

Common Sense: Between Democratic Promise and Political Peril

  • Philosophy / Political Philosophy / Politics, Philosophy and Religion

Thomas Telios considers common sense as a contested and performative concept shaping democratic discourse and political exclusion.

  • ByEdinburgh University Press
  • OnMarch 2, 2026

1980s video memories with Peter Turner

Interior of a video rental store aisle with rows of DVD cases displayed on wall-mounted racks. Blue carpeted floor with several loose balloons scattered along the aisle. Shelving and displays extend into the background, with one person partially visible near the back of the store.
  • Cultural Studies / Film and TV

Q&A with the author of 'Unsuitable Film and Video Audiences: Underage Viewing Memories and Practices in 1980s United Kingdom'

  • ByEdinburgh University Press
  • OnFebruary 26, 2026

What do hundreds of documentaries on genocide say about perpetrators?

The image shows a sparse, worn room that appears to be a former prison cell. The walls are yellowed and heavily stained, with patches of peeling paint and dark discoloration near the bottom. The floor has a checkerboard pattern of tan and white tiles. In the center of the room is a simple metal bed frame with a grid base and no mattress. On top of the bed frame sits a small metal box. Attached to the frame are metal shackles, suggesting restraints were used. The room has a barred window on the right side, allowing some daylight to enter, casting shadows on the floor. The overall atmosphere feels stark, somber, and austere.
  • Cultural Studies / Film and TV

After analysing over two-hundred documentaries, Julian Koch explains how genocidal 'perpetrators' are more complex than representational schemata of violent hatred and racism suggest

  • ByEdinburgh University Press
  • OnFebruary 24, 2026

Martial arts ecology and the quiet life of action cinema

Silhouetted martial artist mid-air against a sunset sky over the sea, holding a poised, balanced stance that emphasises calm, control, and intention rather than force.
  • Cultural Studies / Film and TV

Martial arts cinema is often discussed through intensity. But what about when action slows down?When cinema asks us not to watch bodies fight, but to attend to how they might think and feel.

  • ByEdinburgh University Press
  • OnFebruary 20, 2026
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Popular Posts

6 things worth knowing about Jews and Muslims in the Maghreb

Two women sit on a small outdoor stage holding microphones and speaking to each other. One wears a bright pink dress and smiles while listening; the other wears a green dress and speaks into the microphone. Behind them is a large pink decorative sign, and two water bottles sit on a table between them. The setting appears to be a public talk or interview event.

5 Surprising Facts about Greta Gerwig

Barbed wire and razor wire coiled along the top of a tall metal security fence silhouetted against a dusk sky with the moon visible in the background.

Borderland horror: Q&A with Anna Marta Marini

Q&A with the author of Artificial Fiction: Imagining Literary Possibility Beyond the Human

A figure of a woman standing by the shore suggesting an encounter with affective forces

5 Dimensions of Affect in Bergson’s Philosophy

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