by Elisa Cazzato Those who have familiarity with the work backstage in a theatre or dance production will know that […]
by Elisa Cazzato Those who have familiarity with the work backstage in a theatre or dance production will know that this is where quarrels and logistic tensions often occur. In my research at the Paris Opéra, I take a look…
by Nicola Wilson, Claire Battershill, Sophie Heywood, Marrisa Joseph, Daniela La Penna, Helen Southworth, Alice Staveley and Elizabeth Willson Gordon The Edinburgh Companion to Women in Publishing, 1900-2020 highlights the long history of women’s work as editors and publishers, designers,…
By Lynn Matluck Brooks Ballet in early America? Didn’t we have to wait for the Russians to show up in the 1910s with the Ballets Russes, and for those who emigrated to the United States in the 1920s and ’30s?…
by Ninya Mikhaila The discovery of rare, or unknown items of historic dress is always exciting. It can also be challenging when the extant object offers evidence which contradicts previously held beliefs about people in the past. A farthingale sleeve…
by Naomi Mottram Fans of Commedia dell’Arte know that wherever Arlecchino appears, he causes trouble. So perhaps I should have known that he would cause trouble for me… While creating my translation of Sofia Sinitskaia’s tale, Mitrofanushka Durasov, which features…
by Amanda Hodgson What do these three Victorian actresses have in common? They all acted at one time or another at the Adelphi Theatre, but another thing they have in common, and the thing that interests me, is that they…
by Brett Davies The author of ReFocus: The Films of Lawrence Kasdan chats about the writing process behind the book, what inspired him to explore the films of Lawrence Kasdan and what surprised him most during his research. Tell us…
