Donald Adamson and Robert Yates on the revolutionary 'Moat Pit' of Sir George Bruce, and the global significance it brought to industry in Culross
by Florian Zappe Abel Ferrara is one of the most uncompromising and provocative filmmakers of his generation. From his early exploitation roots to his philosophical and deeply personal later works, Ferrara has carved out a unique space in cinema—blurring the…
Discover the story of Film Studies at Edinburgh University Press – the first publications, the books that changed the field and what you can expect to see in future
by Misha Nguyen, Book Reviews Editorial Assistant (De Montfort University) The upcoming Spring and Summer editions of the Journal of British Cinema and Television, Volume 21.2 & 21.3) promise another bumper crop of book reviews, offering valuable insights into recent…
by Robert Singer Robert Singer, the author of Beyond Realism: Naturalist Film in Theory and Practice, discusses the inspiration behind his research for the book and what most surprised him during the writing process. Tell us a bit about your…
by Brett Davies The author of ReFocus: The Films of Lawrence Kasdan chats about the writing process behind the book, what inspired him to explore the films of Lawrence Kasdan and what surprised him most during his research. Tell us…
by Tim Snelson, William R. Macauley and David A. Kirby In the ‘long 1960s’, psychiatrists and other mental health professionals intervened in and influenced cinema culture in unprecedented ways, changing how films were conceived, produced, censored, exhibited and received by…
by Elizabeth Castaldo Lundén The Oscars are awards season’s final show and the mothership that paved the way for all other awards ceremonies. Therefore, one must reserve the best look to capitalize on the build-up. But what makes an Oscars…
by Tommy Gustafsson Author Tommy Gustafsson discusses what inspired his research for his new book, Historical Media Memories of the Rwandan Genocide, and what most surprised him during the writing process. Tell us a bit about your book. Historical Media…
by Brontë Hebdon Early in Ridley Scott’s Napoleon (2023), Bonaparte and Josephine de Beauharnais see each other for the first time. Their eyes meet across the room at one of the infamous post-terror bals des victims, and both are immediately…