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A conversation with Demet Çaltekinon on ‘Conscientious Objection in Turkey’
Read moreby Demet Aslı Çaltekin Can you tell us a bit about Conscientious Objection in Turkey: A Socio-legal Analysis of the…

The Place of Breath in Cinema: 10 Years On
Dr Davina Quinlivan The interdisciplinarian is best equipped to walk inside (and alongside) the lands of breathlessness, translating across border-lands wherever possible…

Maurizio Cinquegrani on writing ‘Film, Hot War Traces and Cold War Spaces’
by Maurizio Cinquegrani Film, Hot War Traces and Cold War Spaces was released in August by Edinburgh University Press; it’s…

“Is Such A Life Worthy of the Name?”: Christopher Douglas on the Adaptation of George Gissing’s The Odd Women (Part 2)
by Tom Ue Continued from Part 1 Your integration of The Taming of the Shrew when describing Rhoda and Everard…

“Is Such A Life Worthy of the Name?”: Christopher Douglas on the Adaptation of George Gissing’s The Odd Women (Part 1)
by Tom Ue George Gissing’s novel The Odd Women (1893) opens, in 1872, with Dr Madden declaring his intention to…

Researching the History of British Film Finance
by James Chapman Big research projects take a while to bear fruit. In the case of The Money Behind the…

Q & A with the author of Music in the Horror Films of Val Lewton
by Michael Lee Tell us a bit about your book… Music in the Horror Films of Val Lewton offers interpretive…

Natalia Christofoletti Barrenha talks Lucrecia Martel
In this interview, Natalia Christofoletti Barrenha, co-editor of ReFocus: The Films of Lucrecia Martel (out now in our series ReFocus: The International Directors…

He Who Got Slapped
by Alice Maurice It has been a long time since Will Smith slapped Chris Rock at the Oscars. It’s been…

Downton Abbey, Britishness and Class
by John White In the second of a short series of extracts from British Cinema and a Divided Nation (EUP,…