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Lost in translation: The influence of André Levinson and Arnold Haskell in Spain
Read more: Lost in translation: The influence of André Levinson and Arnold Haskell in Spainby Ana Abad-Carlés and Marina Peñaranda-Abad Our article for Dance Research 41(2) came to us in a very serendipitous way, […]
Five Influential Psychiatric Films
by Tim Snelson, William R. Macauley and David A. Kirby In the ‘long 1960s’, psychiatrists and other mental health professionals intervened in and influenced cinema culture in unprecedented ways, changing how films were conceived, produced, censored, exhibited and received by…
Planning the perfect Oscars look with the Red Carpet Doctor
by Elizabeth Castaldo Lundén The Oscars are awards season’s final show and the mothership that paved the way for all other awards ceremonies. Therefore, one must reserve the best look to capitalize on the build-up. But what makes an Oscars…
Q&A with the author of ‘Historical Media Memories of the Rwandan Genocide’
by Tommy Gustafsson Author Tommy Gustafsson discusses what inspired his research for his new book, Historical Media Memories of the Rwandan Genocide, and what most surprised him during the writing process. Tell us a bit about your book. Historical Media…
Ridley Scott’s Napoleon: From Uniformed Soldier to Costumed Emperor
by Brontë Hebdon Early in Ridley Scott’s Napoleon (2023), Bonaparte and Josephine de Beauharnais see each other for the first time. Their eyes meet across the room at one of the infamous post-terror bals des victims, and both are immediately…
A Q&A with Daniela Berghahn on Exotic Cinema
by Daniela Berghahn Exotic Cinema author Daniela Berghahn chats to EUP on the inspiration behind the book and what surprised her most during the writing process. Tell us a bit about your book With my latest book Exotic Cinema, I…
Filming Modernity and Islam in Colonial Egypt
A Q&A with Heba Arafa Abdelfattah In this author Q&A, Heba Arafa Abdelfattah introduces her latest book, Filming Modernity and Islam in Colonial Egypt, which explores the formative years of Egyptian film (1919–52) to contest the contradiction between Islam and…
A Q&A with the authors of Liminal Noir in Classical World Cinema
by Lis Sodl, Elyce Rae Helford and Christopher Weedman Lis Sodl (M.A. Student, English Department, Middle Tennessee State University) interviews Elyce Rae Helford and Christopher Weedman on their new book, Liminal Noir in Classical World Cinema. Could you please briefly…
A Q&A with Susan Kerns on ReFocus: The Films of Susan Seidelman
by Susan Kerns ReFocus: The Films of Susan Seidelman editor, Susan Kerns, discusses researching the book, what surprised her during the process, the most exciting part of the project and whether her research changed her worldview in this fascinating Q&A.…
A Q&A with the editors of Refocus: The Films of Jane Campion
by Alexia L. Bowler and Adele Jones Refocus: The Films of Jane Campion (2023) is the first collection of scholarly essays on Oscar winning film director Jane Campion, director of The Piano (1993) and more recently The Power of the…