Film-philosophy has seen a resurgence of interest in phenomenology, particularly in its existentialist branch as exemplified by the work of…
Category: Film and TV
‘A future politics is given there so powerfully that it’s present as a trace even in certain reactions that, in…
An extract from the introduction of Spanish Erotic Cinema, edited by Santiago Fouz-Hernandez If there is something that the various…
By Stefanie Van de Peer Negotiating Dissidence: The Pioneering Women of Arab Documentary is publishing this month, and it’s a significant…
Sunday 19th of February 2017 saw the launch of the BBC’s most recent big budget television drama SS-GB, a dystopian…
By Stacey Abbott As the evenings draw in and the temperature drops, my mind turns toward the ghostly, the ghoulish…
By Benjamin Poore For the uninitiated, Penny Dreadful is a genre-busting neo-Victorian fantasy horror show, set in the 1890s, in…
By Lucyna Krawczyk-Żywko Sherlock Holmes, “the most portrayed literary human character in film and TV” (Guinness World Records News), is…
By William Brown I was delighted that Film-Philosophy recently published my essay: ‘Non-Cinema: Digital, Ethics, Multitude’. The essay is a…
By Richard Wallace The work of John Cura is a fascinating side-note in the history of British television. Between 1947…