by Amanda M. Dennis Tell us a bit about your book. Beckett and Embodiment interrogates the strange, disconcerting representations of the human body across Samuel Beckett’s work. Such attention to the body and the varied forms it takes—often integrated with…
by Mario Aquilina and Nicole B. Wallack On 29 March 2023, two of the editors of The Edinburgh Companion to the Essay, Mario Aquilina (The University of Malta) and Nicole B. Wallack (English and Comparative Literature, Columbia University) led a roundtable with…
by Stephanie Palmer, Myrto Drizou, and Cécile Roudeau The US author Mary E. Wilkins Freeman (1852-1930) is best known, read and taught as the author of short regionalist fiction set largely in rural New England, a region she depicts in…
by Emmanuel Ngué Um The main challenge facing Digital Humanities research in Africa is the race to catch up with a global trend, where digitization is increasingly present at the intersection of knowledge and society. This race is taking place…
by James Corby and Ivan Callus ‘The whatever singularity is a singularity without quality, but it is a singularity with inclinations, a singularity that tends or aspires to the world. The singularity in its whateverness is a potentiality, but a…
by Albert Pionke The US has just emerged from a mid-term election cycle. In the UK, calls for a general election grow ever louder. Politicians, pundits, and pollsters alike cite the discontent of the middle class with, depending upon one’s ideological predilections,…
In this interview, Ned Curthoys and Isabelle Hesse, editors of Literary Representations of the Palestine/Israel Conflict After the Second Intifada, discuss their new book. Tell us a bit about your book. Our edited collection Literary Representations of the Palestine/Israel Conflict…
2022 marks a hundred years since Sylvia Beach published James Joyce’s novel Ulysses in full. What better time to think about reading Joyce? A hundred years of readers and readings! Of course, that’s not the whole picture. Ulysses is also…
This isn’t The Handmaid’s Tale. It’s Brave New World. But without soma.