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Robert Burns’s Memory: A Matter of State
Read moreby Paul Malgrati Every year, on 25 January, Burns Night offers a remarkable opportunity for Scottish political parties to issue…
Digital Humanities research in Africa
by Emmanuel Ngué Um The main challenge facing Digital Humanities research in Africa is the race to catch up with…
In Memory of Thierry Tremblay (1970–2022)
by James Corby and Ivan Callus ‘The whatever singularity is a singularity without quality, but it is a singularity with…
The Persistence of Victorian Middle Class Fictions
by Albert Pionke The US has just emerged from a mid-term election cycle. In the UK, calls for a general election…
Literary Representations of the Palestine/Israel Conflict After the Second Intifada: Q&A with Ned Curthoys and Isabelle Hesse
In this interview, Ned Curthoys and Isabelle Hesse, editors of Literary Representations of the Palestine/Israel Conflict After the Second Intifada,…
Reading Joyce
2022 marks a hundred years since Sylvia Beach published James Joyce’s novel Ulysses in full. What better time to think…
The Woman Writer’s Playbook to Fighting Censorship
This isn’t The Handmaid’s Tale. It’s Brave New World. But without soma.
Q&A with Beth Rigel Daugherty
Q&A with EUP author Beth Rigel Daugherty about her research project and two new books about the life and works of Viginia Woolf
All Stories Run on Two Tracks:What Formalism Offers Presentism
EUP author Katherine Voyles discusses the process around writing a double review for the Victoriographies Journal.
Why You Should Read Allan Ramsay’s ‘The Gentle Shepherd’
What Scottish play, published in 1725, reached over 100 printings by 1800, was called ‘the noblest pastoral’ by Robert Burns, inspired more than forty paintings, more than ‘from the entire works of Chaucer, Defoe, Swift, Richardson, or Fielding’ (R. Altick, Paintings from Books), and was performed by amateur companies throughout Scotland as late as the end of the 19th century?