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EUP 75: Our Publishing in Scottish Studies
Read more: EUP 75: Our Publishing in Scottish StudiesDiscover the story of Scottish Studies at Edinburgh University Press – the first publications, the books that changed the field and what you can expect to see in future
Black Lives Matter and African American literature of the 1950s
Participants in the protests following the murder of George Floyd in Minnesota have emphasised historical continuity in the experience of racist oppression in the United States.
Normal People and the strangeness of other people
Towards the end of Sally Rooney’s acclaimed novel Normal People, the two main characters, Connell and Marianne, talk sleepily one morning about whether it’s possible ever really to know another person. ‘I guess everyone is a mystery in a way’,…
John Kinsella’s ‘The Fever Chart’, out now in CounterText 6:1
Issue 6:1 of CounterText features ‘The Fever Chart’, a new and extraordinarily timely novella by John Kinsella. Begun in late 2019 as the author was emerging from a prolonged bout of feverish ‘flu, and finished in the first few weeks…
CounterText is five years old
CounterText: A Journal for the Study of the Post-Literary is five years old! To celebrate the occasion, Edinburgh University Press and the journal’s editorial team (based at the Department of English at the University of Malta) have put together a…
Robert Louis Stevenson and Character Creation
Audrey Murfin explores Robert Louis Stevenson and his methods of Character Creation
“One Day More”: Les Misérables and the Hong Kong Protests
“One Day More”: Les Misérables and the Hong Kong Protests
Tom Ue discusses the relation between Les Misérables and the Hong Kong Protests
The Case for the Nineteenth-Century Irish Novel
Many Mullen discusses the work of Irish novels and novelists, anachronism and nineteenth century realism.
Writing about State Violence: Commemoration & Collaboration
Michael Demson discusses the essays contributed to a new edited collection on Peterloo.
Creative Involution – A Conversation
Professor S. E. Gontarski discusses his book Creative Involution and the series it is published in, Other Becketts, with Jacek Gutorow.