A Q&A on the making of Shakespeare Comics - exploring how graphic novels and manga adapt Shakespeare's plays and what they reveal about art, time, and culture.
by Emmanuel Ngué Um The main challenge facing Digital Humanities research in Africa is the race to catch up with a global trend, where digitization is increasingly present at the intersection of knowledge and society. This race is taking place…
by James Corby and Ivan Callus ‘The whatever singularity is a singularity without quality, but it is a singularity with inclinations, a singularity that tends or aspires to the world. The singularity in its whateverness is a potentiality, but a…
by Albert Pionke The US has just emerged from a mid-term election cycle. In the UK, calls for a general election grow ever louder. Politicians, pundits, and pollsters alike cite the discontent of the middle class with, depending upon one’s ideological predilections,…
In this interview, Ned Curthoys and Isabelle Hesse, editors of Literary Representations of the Palestine/Israel Conflict After the Second Intifada, discuss their new book. Tell us a bit about your book. Our edited collection Literary Representations of the Palestine/Israel Conflict…
2022 marks a hundred years since Sylvia Beach published James Joyce’s novel Ulysses in full. What better time to think about reading Joyce? A hundred years of readers and readings! Of course, that’s not the whole picture. Ulysses is also…
This isn’t The Handmaid’s Tale. It’s Brave New World. But without soma.
Q&A with EUP author Beth Rigel Daugherty about her research project and two new books about the life and works of Viginia Woolf
EUP author Katherine Voyles discusses the process around writing a double review for the Victoriographies Journal.
What Scottish play, published in 1725, reached over 100 printings by 1800, was called ‘the noblest pastoral’ by Robert Burns, inspired more than forty paintings, more than ‘from the entire works of Chaucer, Defoe, Swift, Richardson, or Fielding’ (R. Altick, Paintings from Books), and was performed by amateur companies throughout Scotland as late as the end of the 19th century?