• Colour drawing of a staged theatrical scene framed by two symmetrical classical structures with niches containing gilded statues, flanked by trees. At the centre, a painted backdrop shows an island within an archipelago, with a visible settlement; in the foreground, a vessel approaches the shore. Four figures stand before the backdrop holding branches and other objects. The composition is enclosed within a thin rectangular gold border.

Ohannes Topalian

A story of Armenian migration to North America

By David Gutman In April 1906, a man appeared at the United States consulate in Sivas, a city located deep in the Anatolian interior in what is today central Turkey. In fluent English, the man identified himself as Ohannes Topalian,…

Making Mongol History

Tracing the life and work of Rashid al-Din

By Stefan Kamola, author of Making Mongol History: Rashid al-Din and the Jamiʿ al-Tawarikh Early in 1839, Professor of Linguistics Duncan Forbes arrived in Inverness with Mir Afzal Ali, representative of the Maharaja of Satara. They had come to visit…

How Information Warfare Shaped the Arab Spring

How Information Warfare Shaped the Arab Spring

An interview with Nathaniel Greenberg – author of How Information Warfare Shaped the Arab Spring: The Politics of Narrative in Tunisia and Egypt – first featured on the Jadaliyya website. Read the original interview Jadaliyya (J): What made you write…

Studies in World Christianity Celebrates 25 Years

by Emma Wild-Wood With the publication of Volume 25, the journal Studies in World Christianity completes twenty-five years of existence. Launched at the beginning of 1995 to be an ‘international forum for a dialogue of equals’ on the study of…