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Q&A: ‘Wladzio D´Attainville and the House of Balenciaga (1924–1948)’
Read more: Q&A: ‘Wladzio D´Attainville and the House of Balenciaga (1924–1948)’Ana Balda uncovers Wladzio D’Attainville's crucial impact on Cristóbal Balenciaga's fashion empire.


Ana Balda uncovers Wladzio D’Attainville's crucial impact on Cristóbal Balenciaga's fashion empire.

When I first proposed to write about the Persians in Egypt, in a seminar at the University of Michigan, my professor laughed. She laughed because it was a well-known fact among Egyptologists that there was little evidence for this period…

From recycling to creating huge anthologies, Konrad HIrschler looks at some innovative ways that book lovers created their medieval Arabic manuscripts.

James Williams argues that one of the main lessons of the search for an egalitarian sublime is that exceptional achievements in sports should not be called 'sublime'.

Catherine Belsey discusses our love for ghost stories. Follow her on a spine-tingling journey of our facination with Christmas hauntings.

Laurence Broers writes on the 30-year Armenian–Azerbaijani conflict: one of the most embittered territorial disputes in the world.

Bill Jenkins introduces us to the short life and tragic death of Henry H. Cheek, a pre-Darwinian evolutionist. At the University of Edinburgh In many popular accounts of the theory of evolution the reader could be forgiven for coming away…

Wyatt Moss-Wellington is Assistant Professor in Media and Communication Studies at The University of Nottingham Ningbo, China. He is the author of Narrative Humanism: Kindness and Complexity in Fiction and Film and co-editor of ReFocus: The Films of Spike Jonze,…

Alyssa DeBlasio The Russian novel has long been synonymous with philosophical literature. These are the unwieldy and existentially thick novels that we have come to associate with Russian writing—those “large, loose, baggy monsters,” as Henry James wrote of Dostoevsky and…
“One Day More”: Les Misérables and the Hong Kong Protests
Tom Ue discusses the relation between Les Misérables and the Hong Kong Protests