Antonia Wimbush explores how cultural works preserve the overlooked memories of Caribbean migration to France through the BUMIDOM program and challenge France’s national narrative.
by Joe Street Tell us a bit about your book Silicon Valley Cinema is about a sequence of films that were mostly released in the 2010s that focused on the impact of Silicon Valley corporations on our lives. Some of…
by Josephine Botting Approaching an archival collection the scale of Adrian Brunel’s is a daunting prospect. Every box contains a hotchpotch of items, which at first defy coherence: snapshots, letters, diaries, cuttings, contracts, scribblings on scraps of paper, legal summons…
by Whitney Strub and Peter Alilunas Tell us a bit about your book Alilunas and Strub: ReFocus: The Films of Roberta Findlay is the first collection of scholarly essays on the notorious, groundbreaking, iconoclastic, controversial, talented, subversive, and often funny…
by Mani King Sharpe In the late 1950s and early 1960s, a spate of ‘late-colonial’ French films were made that thematised the Algerian War of Independence (1954-1962), as it was occurring. Some of these films, for example, Muriel (Resnais, 1963),…
Dr Davina Quinlivan The interdisciplinarian is best equipped to walk inside (and alongside) the lands of breathlessness, translating across border-lands wherever possible as she moves. This is because an inter-disciplinarian is identifiable by her movement, the willingness to depart from her discipline, to…
by Alice Maurice It has been a long time since Will Smith slapped Chris Rock at the Oscars. It’s been two whole months – by today’s standards, an eternity. Even after a week, it had been thoroughly washed and rinsed…
by John White In the first of a short series of extracts from British Cinema and a Divided Nation (EUP, 2022), John White looks at Mary Queen of Scots (Josie Rourke, 2018). In this film we are presented with a…
by Niamh Thornton Niamh Thornton introduces the case studies she uses in her chapter from Legacies of the Past: Memory and Trauma in Mexican Visual and Screen Cultures. Finding a space to discuss memory and trauma In order to talk…
By Victor Fan ‘Cinematic Imaging and Imagining through the Lens of Buddhism’ (from the latest issue of Paragraph) is one of my ‘test drives’ for a longer and more substantial project that seeks to reconfigure film and media philosophy by…