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How should Big Oil spend big money?
Read moreby Ernesto Bonafé Big Oil faces an existential question: How to spend its very large and, for some, ‘windfall’ or…
Daniel Miele
Maurizio Cinquegrani on writing ‘Film, Hot War Traces and Cold War Spaces’
by Maurizio Cinquegrani Film, Hot War Traces and Cold War Spaces was released in August by Edinburgh University Press; it’s…
Researching the History of British Film Finance
by James Chapman Big research projects take a while to bear fruit. In the case of The Money Behind the…
Surveying the Anthropocene: Endangered wildlife: the threats to seabirds, and the use of rephotography
by Patricia Macdonald This is the second of a series of blogs featuring themes and participants from the book Surveying…
Q & A with the author of Music in the Horror Films of Val Lewton
by Michael Lee Tell us a bit about your book… Music in the Horror Films of Val Lewton offers interpretive…
Natalia Christofoletti Barrenha talks Lucrecia Martel
In this interview, Natalia Christofoletti Barrenha, co-editor of ReFocus: The Films of Lucrecia Martel (out now in our series ReFocus: The International Directors…
He Who Got Slapped
by Alice Maurice It has been a long time since Will Smith slapped Chris Rock at the Oscars. It’s been…
Downton Abbey, Britishness and Class
by John White In the second of a short series of extracts from British Cinema and a Divided Nation (EUP,…
Mary Queen of Scots in British Cinema & Society
by John White In the first of a short series of extracts from British Cinema and a Divided Nation (EUP,…
Surveying the Anthropocene: Destruction of natural systems: forests
by Patricia Macdonald This is the first of a series of blogs featuring themes and participants from the book Surveying…