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The lost story of the Shetland Female Emigration Fund
Read more: The lost story of the Shetland Female Emigration FundVéronique Molinari explores how four people united forces to help young Shetlanders emigrate to Australia
“Is Such A Life Worthy of the Name?”: Christopher Douglas on the Adaptation of George Gissing’s The Odd Women (Part 1)
by Tom Ue George Gissing’s novel The Odd Women (1893) opens, in 1872, with Dr Madden declaring his intention to insure his life for a thousand pounds. Things are looking up for the family. “[P]rofessional prospects,” he assures his eldest…
Researching the History of British Film Finance
by James Chapman Big research projects take a while to bear fruit. In the case of The Money Behind the Screen, it was the best part of nine years. The book’s origins extend back to the summer of 2013, when…
Q & A with the author of Music in the Horror Films of Val Lewton
by Michael Lee Tell us a bit about your book… Music in the Horror Films of Val Lewton offers interpretive analyses of Val Lewton’s horror films as seen through the lens of the music within them. Lewton, who both produced…
Natalia Christofoletti Barrenha talks Lucrecia Martel
In this interview, Natalia Christofoletti Barrenha, co-editor of ReFocus: The Films of Lucrecia Martel (out now in our series ReFocus: The International Directors Series), talks about this new volume and what led her to research Martel’s work. Can you tell us a little…
He Who Got Slapped
by Alice Maurice It has been a long time since Will Smith slapped Chris Rock at the Oscars. It’s been two whole months – by today’s standards, an eternity. Even after a week, it had been thoroughly washed and rinsed…
Downton Abbey, Britishness and Class
by John White In the second of a short series of extracts from British Cinema and a Divided Nation (EUP, 2022), John White looks at Downton Abbey (Michael Engler, 2019). The quick series of shots presented to the audience at…
Mary Queen of Scots in British Cinema & Society
by John White In the first of a short series of extracts from British Cinema and a Divided Nation (EUP, 2022), John White looks at Mary Queen of Scots (Josie Rourke, 2018). In this film we are presented with a…
Why Focus on Director Robert Altman’s Last Quarter Century?
by Lisa Dombrowski and Justin Wyatt Film director Robert Altman was one of the leading creative forces of the last great period of Hollywood filmmaking known as the New Hollywood or Hollywood Renaissance. Much critical analysis has addressed this early…
Japanese High School Films: My 4 Favourites!
By Peter C. Pugsley In Japanese High School Films: Iconography, Nostalgia and Discipline, I write about how high school-based films capture a steady market in Japanese cinema. From the 100 plus high school films released in just over five years (2014-2020),…