A Q&A on the making of Shakespeare Comics - exploring how graphic novels and manga adapt Shakespeare's plays and what they reveal about art, time, and culture.
by Maurizio Cinquegrani Film, Hot War Traces and Cold War Spaces was released in August by Edinburgh University Press; it’s my second book with the publisher. In the previous volume, Journey to Poland: Documentary Landscapes of the Holocaust, I have…
by Tom Ue Continued from Part 1 Your integration of The Taming of the Shrew when describing Rhoda and Everard is so clever, but have you thought about reading—as Gissing does—Widdowson’s and Monica’s story in terms of Othello? Yes, I…
by Tom Ue George Gissing’s novel The Odd Women (1893) opens, in 1872, with Dr Madden declaring his intention to insure his life for a thousand pounds. Things are looking up for the family. “[P]rofessional prospects,” he assures his eldest…
by James Chapman Big research projects take a while to bear fruit. In the case of The Money Behind the Screen, it was the best part of nine years. The book’s origins extend back to the summer of 2013, when…
by Michael Lee Tell us a bit about your book… Music in the Horror Films of Val Lewton offers interpretive analyses of Val Lewton’s horror films as seen through the lens of the music within them. Lewton, who both produced…
In this interview, Natalia Christofoletti Barrenha, co-editor of ReFocus: The Films of Lucrecia Martel (out now in our series ReFocus: The International Directors Series), talks about this new volume and what led her to research Martel’s work. Can you tell us a little…
by Alice Maurice It has been a long time since Will Smith slapped Chris Rock at the Oscars. It’s been two whole months – by today’s standards, an eternity. Even after a week, it had been thoroughly washed and rinsed…
by John White In the second of a short series of extracts from British Cinema and a Divided Nation (EUP, 2022), John White looks at Downton Abbey (Michael Engler, 2019). The quick series of shots presented to the audience at…
by John White In the first of a short series of extracts from British Cinema and a Divided Nation (EUP, 2022), John White looks at Mary Queen of Scots (Josie Rourke, 2018). In this film we are presented with a…