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5 Dimensions of Affect in Bergson’s Philosophy
Read more: 5 Dimensions of Affect in Bergson’s PhilosophyHenri Bergson's philosophy reveals time as a continuous and interconnected melody.
Sticky Screen Media in the Age of Personal Devices
by Nick Jones Screens are sticky. When we look at our phone, open our laptop, boot up our PC, turn on our games console, or sit in front of the television, we often get glued to the content, and end…
Q&A with the editors of The Figure of the Terrorist in Literature and Visual Culture
by Maria Flood and Michael C. Frank The Figure of the Terrorist in Literature and Visual Culture editors Maria Flood and Michael C. Frank discuss what inspired their research for their new book and how the discourse around terrorism has…
A Q&A with Joe Street on Silicon Valley Cinema
by Joe Street Tell us a bit about your book Silicon Valley Cinema is about a sequence of films that were mostly released in the 2010s that focused on the impact of Silicon Valley corporations on our lives. Some of…
Excavating a lost classic: Interview with Le Retour director, Daniel Goldenberg
by Mani Sharpe and Daniel Goldenberg Read the original interview in French Shot in 1959, Le Retour is a short film directed by Daniel Goldenberg, in collaboration with the ex-paratrooper, Yann le Masson, who was responsible for cinematography, alongside Georges…
5 Contemporary Comedies by Working-Class Women You Need to Watch
by Laura Minor Following the success of several working-class women who have created original comedy series in the UK, such as Carla Lane, Victoria Wood, Kay Mellor, and Caroline Aherne, the 2010s (and onwards) have seen an increase in working-class…
A Q&A with John Price on ReFocus: The Films of William Wyler
by John Price Tell us a bit about your book ReFocus: The Films of William Wyler is a collection of critical essays, by contributors from both sides of the Atlantic, on one of the most successful and awarded directors of…
Adrian Brunel: The Systematic Jackdaw
by Josephine Botting Approaching an archival collection the scale of Adrian Brunel’s is a daunting prospect. Every box contains a hotchpotch of items, which at first defy coherence: snapshots, letters, diaries, cuttings, contracts, scribblings on scraps of paper, legal summons…
Refocus: The Films Of Roberta Findlay – A Q&A With The Editors
by Whitney Strub and Peter Alilunas Tell us a bit about your book Alilunas and Strub: ReFocus: The Films of Roberta Findlay is the first collection of scholarly essays on the notorious, groundbreaking, iconoclastic, controversial, talented, subversive, and often funny…
5 lesser-known examples of late-colonial French cinema
by Mani King Sharpe In the late 1950s and early 1960s, a spate of ‘late-colonial’ French films were made that thematised the Algerian War of Independence (1954-1962), as it was occurring. Some of these films, for example, Muriel (Resnais, 1963),…