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Q&A with the author of Performing Worlds at the Baroque Court of Christine of France
Read more: Q&A with the author of Performing Worlds at the Baroque Court of Christine of FranceThis interview explores how Christine of France used Baroque court spectacles to shape political authority, global imagination, and cultures of consumption.
Invisible Tweets? Ben Jonson and Social Networking
By Kelly Stage In 1605, Ben Jonson and George Chapman found themselves in prison because parts of their play Eastward…
Ben Jonson’s Erotic Temporalities
By Amanda Henrichs I’ve always imagined Ben Jonson as the quintessential cranky old man, constantly complaining about the current state…
Spatial Film History
By Christian B. Long My article in the new issue of International Journal of Humanities and Arts Computing is part of my…
A Tale of Two Kens: Drama, documentary and the subversion of the status quo
By John Hill My interest in writing about the work of the film and television director Ken Russell partly derived…
Kinds of Insight
By Kate McLoughlin This article arose from a paper I gave at the conference on the Long Modernist Novel at…
The Pleasures of Literary Communication
By Roger D. Sell Literary activity can be studied as one among other kinds of human communication. Such an approach…
The Lang Road to Scottish History
By Catriona M.M. Macdonald Historians frequently address reputations in their work, indeed they are central to some of the most…
A Matter of Life and Death: the Fourth Act in Shakespearean Tragedy
By Lisa Hopkins Having an associative mind is often a source of shame, but it does occasionally have benefits. Two…
Nuancing Ken Russell
By Kevin M. Flanagan Director Ken Russell (1927-2011) tends to evoke extreme reactions. Critics, academics, and fans lavish a few…