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Q&A with the author of Performing Worlds at the Baroque Court of Christine of France
Read more: Q&A with the author of Performing Worlds at the Baroque Court of Christine of FranceThis interview explores how Christine of France used Baroque court spectacles to shape political authority, global imagination, and cultures of consumption.
Broadening the visibility of your research: ideas from a workshop at the 2016 ARMA conference — Kudos News
At the recent ARMA conference, the Kudos team led a workshop to consider who is responsible for impact, and what…
Exploring transatlantic cultural exchanges
By David Barnes With President Obama’s intervention in the British EU Referendum debate still fresh in the mind, it’s worth…
What do Monks and Friars have in common?
By Eva Pascal What do Buddhist monks and Christian friars have in common? Quite a bit, in fact. While travelling…
On Wasting Time
By Claire White In France, the turn of the millennium ushered in a bold, and controversial, act of legal reform…
Images of Islam
By Deanna Ferree Womack Images of Islam abound these days, and many of them are troubling. Those who speak loudly…
Shakespeare, Art and Life
By Andy Mousley I sometimes wonder which of Shakespeare’s characters most closely resembles Shakespeare himself: ambitious Macbeth? brooding Hamlet? the…
Shakespeare’s Metadrama and the Informer
By Bill Angus If you have ever wondered what was really going on in the secret overhearing and tacit observations,…
St. William of Stratford?
By Sean McEvoy William Shakespeare died four hundred years ago. We know he departed this life on 23 April 1616…
Shakespeare’s Questions
By Kevin Curran, University of Lausanne What is it about Shakespeare’s writing that makes it endure? Why do his plays and poems…