• Colour drawing of a staged theatrical scene framed by two symmetrical classical structures with niches containing gilded statues, flanked by trees. At the centre, a painted backdrop shows an island within an archipelago, with a visible settlement; in the foreground, a vessel approaches the shore. Four figures stand before the backdrop holding branches and other objects. The composition is enclosed within a thin rectangular gold border.

A statue of Robert Burns

Robert Burns’s Memory: A Matter of State

by Paul Malgrati Every year, on 25 January, Burns Night offers a remarkable opportunity for Scottish political parties to issue a statement about the Scottish nation, its identity, and its situation. Last year, in 2022, Scotland’s First Minister, Nicola Sturgeon,…

Scottish Diaspora Virtual Issue

Our Scottish Studies Scottish Diaspora Virtual Issue has just launched, and features almost 30 journal articles and book chapters from across our Scottish Studies lists, with introductions written by Beth Cowen from Glasgow University and Ersev Ersoy and Kristian Kerr…

100 Years of The Scottish Historical Review

The Scottish Historical Review (SHR) is the premier journal in the field of Scottish historical studies, covering all periods of Scottish history from the early to the modern, encouraging a variety of historical approaches, with articles written by leading scholars and Scottish…

Stands Scottish Literature Where It Did? Revisiting Devolution

It’s been fifteen years since the last fat volume of essays on contemporary Scottish writing. Only a blink of historical time, but it’s been quite an eventful period. When the chapters of Berthold Schoene’s brilliant Edinburgh Companion to Contemporary Scottish Literature were being written, both the country and its debates looked rather different.