
-
Q&A: ‘Wladzio D´Attainville and the House of Balenciaga (1924–1948)’
Read more: Q&A: ‘Wladzio D´Attainville and the House of Balenciaga (1924–1948)’Ana Balda uncovers Wladzio D’Attainville's crucial impact on Cristóbal Balenciaga's fashion empire.


Ana Balda uncovers Wladzio D’Attainville's crucial impact on Cristóbal Balenciaga's fashion empire.

“There are Muslims in China? I didn’t know that.” Yes, indeed, there are—possibly as many as 25-30 million souls—and they constitute a fascinating segment of two vital world entities, “China” and “Islam.” Almost half of them speak Chinese as their…

By Claire White In France, the turn of the millennium ushered in a bold, and controversial, act of legal reform that sought to reshape the French citizen’s working life: the introduction of a 35-hour working week. For many, the law…

By Deanna Ferree Womack Images of Islam abound these days, and many of them are troubling. Those who speak loudly and most forcefully define Islam in the narrowest of terms, making one image – the militant extremist – into a…

By Audrey Evrard Despite of the loud chorus of political and business leaders extolling the virtues of hard work, a counter-narrative calling into question the centrality of work has gained momentum in France since the early 2000s. My recent article…

By Benjamin Poore For the uninitiated, Penny Dreadful is a genre-busting neo-Victorian fantasy horror show, set in the 1890s, in a world where Victor Frankenstein, his Creature, Professor Van Helsing, and Dorian Gray can all co-exist. It’s a world where…

By Lucyna Krawczyk-Żywko Sherlock Holmes, “the most portrayed literary human character in film and TV” (Guinness World Records News), is skilled at disguising himself and adjusting to different circumstances and yet remaining himself. Few literary characters lose so little in…
By William Brown I was delighted that Film-Philosophy recently published my essay: ‘Non-Cinema: Digital, Ethics, Multitude’. The essay is a first articulation of what I am terming non-cinema, and which is the focus of a forthcoming monograph that I am…

By Richard Wallace The work of John Cura is a fascinating side-note in the history of British television. Between 1947 and 1968 Cura made a successful business from photographing the BBC and ITV programmes broadcast to his television set and…

‘It is possible that one day I will no longer love you, and this possibility cannot be taken away from love – it belongs to it. It is against this possibility, but also with it, that the promise is made, the word given.’ – Jean-Luc Nancy