Robin Jackson explores the life and extraordinary range of work of 20th century German artist Hermann Gross
By Richard Wallace The work of John Cura is a fascinating side-note in the history of British television. Between 1947 and 1968 Cura made a successful business from photographing the BBC and ITV programmes broadcast to his television set and…
By David Martin-Jones At the heart of “Film-Philosophy and a World of Cinemas” is discussion of a contentious and at times heated debate between Hamid Dabashi and Walter Mignolo on the one hand, and Slavoj Žižek on the other. The…
By Christophe Van Eecke Ken Russell is often considered more or less the court jester of British film history, and his films have not always been taken quite as seriously as they deserve. This holds true even of The Devils…
By Christian B. Long My article in the new issue of International Journal of Humanities and Arts Computing is part of my broader research in the spatial history of film. In “Where Is France in French Cinema, 1976-2013” and in my research…
By John Hill My interest in writing about the work of the film and television director Ken Russell partly derived from writing about another Ken in my book, Ken Loach: the Politics of Film and Television (2014). The two Kens…
By Kevin M. Flanagan Director Ken Russell (1927-2011) tends to evoke extreme reactions. Critics, academics, and fans lavish a few of his works with rapturous praise. His adaptation of D.H. Lawrence’s Women in Love (1969), or some of his composer…
Three years ago, Richard Macdonald and I compared Dai Vaughan (1933-2012) with two other ‘outstanding figures of his generation’, Robin Wood (1931-2009) and V F Perkins (1936-). The comparison is worth extending. Wood and Perkins are now regarded as key figures…
By Ieuan Franklin Where are the films being made today about ‘Austerity Britain’ that combine social realism and humour, as in The Full Monty (1997)? In my article for the Journal of British Cinema and Television last year I looked…