A Q&A on the making of Shakespeare Comics - exploring how graphic novels and manga adapt Shakespeare's plays and what they reveal about art, time, and culture.
By Benjamin Poore For the uninitiated, Penny Dreadful is a genre-busting neo-Victorian fantasy horror show, set in the 1890s, in a world where Victor Frankenstein, his Creature, Professor Van Helsing, and Dorian Gray can all co-exist. It’s a world where…
By Lucyna Krawczyk-Żywko Sherlock Holmes, “the most portrayed literary human character in film and TV” (Guinness World Records News), is skilled at disguising himself and adjusting to different circumstances and yet remaining himself. Few literary characters lose so little in…
By William Brown I was delighted that Film-Philosophy recently published my essay: ‘Non-Cinema: Digital, Ethics, Multitude’. The essay is a first articulation of what I am terming non-cinema, and which is the focus of a forthcoming monograph that I am…
By Richard Wallace The work of John Cura is a fascinating side-note in the history of British television. Between 1947 and 1968 Cura made a successful business from photographing the BBC and ITV programmes broadcast to his television set and…
By David Martin-Jones At the heart of “Film-Philosophy and a World of Cinemas” is discussion of a contentious and at times heated debate between Hamid Dabashi and Walter Mignolo on the one hand, and Slavoj Žižek on the other. The…
By Christophe Van Eecke Ken Russell is often considered more or less the court jester of British film history, and his films have not always been taken quite as seriously as they deserve. This holds true even of The Devils…
By Christian B. Long My article in the new issue of International Journal of Humanities and Arts Computing is part of my broader research in the spatial history of film. In “Where Is France in French Cinema, 1976-2013” and in my research…
By John Hill My interest in writing about the work of the film and television director Ken Russell partly derived from writing about another Ken in my book, Ken Loach: the Politics of Film and Television (2014). The two Kens…
By Kevin M. Flanagan Director Ken Russell (1927-2011) tends to evoke extreme reactions. Critics, academics, and fans lavish a few of his works with rapturous praise. His adaptation of D.H. Lawrence’s Women in Love (1969), or some of his composer…