• section of the cover of issue 1.1 of Studies in World Christianity: a blue drawing of a church against a white background

Film Philosophy Cover

Film Philosophy and the Body in Cinema

Film-philosophy has seen a resurgence of interest in phenomenology, particularly in its existentialist branch as exemplified by the work of Martin Heidegger, Jean-Paul Sartre and Maurice Merleau-Ponty. This is largely because much has been made of the turn to affect…

Black Lives Matter by Gerry Lauzon (CC BY 2.0)

Waking up from horror: shame and fugitive movements

‘A future politics is given there so powerfully that it’s present as a trace even in certain reactions that, in the very force and determination of reaction, replicate horror’s preconditions…’ Fred Moten1 By foregrounding the experiences of slavery, a black…

Spanish Erotic Cinema

Sex and Spanish Cinema from Screen to Academia

An extract from the introduction of Spanish Erotic Cinema, edited by Santiago Fouz-Hernandez If there is something that the various writings on aspects of eroticism in Spanish films reveal it is that it is impossible to understand the history of…

Five Unmissable Performances from Penny Dreadful

By Benjamin Poore For the uninitiated, Penny Dreadful is a genre-busting neo-Victorian fantasy horror show, set in the 1890s, in a world where Victor Frankenstein, his Creature, Professor Van Helsing, and Dorian Gray can all co-exist. It’s a world where…

A Study in Four Colours: The Case of the Chameleon Detective

By Lucyna Krawczyk-Żywko Sherlock Holmes, “the most portrayed literary human character in film and TV” (Guinness World Records News), is skilled at disguising himself and adjusting to different circumstances and yet remaining himself. Few literary characters lose so little in…