Naomi Farmer

Naomi Farmer

  • Close-up of a historical handwritten manuscript page in cursive ink, showing dense text on aged paper, held open by a person’s hand at the bottom edge.

Rhythm and Critique

Detail from the Paul Klee painting Camel (in Rhythmic Landscape with Trees, showing an brightly coloured abstract image of a camel surrounded by trees

Sunil Manghani explores how rhythm came to be one of the most productive terms for critical enquiry into our social, political and cultural lives, and looks to the future of research into rhythm.