Naomi Farmer

Naomi Farmer

  • A black and white photograph of Hermann Gross holding a metalworking tool, with an in-progress sculpture before him.

Rhythm and Critique

Detail from the Paul Klee painting Camel (in Rhythmic Landscape with Trees, showing an brightly coloured abstract image of a camel surrounded by trees
Sunil Manghani explores how rhythm came to be one of the most productive terms for critical enquiry into our social, political and cultural lives, and looks to the future of research into rhythm.