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Interview with Maggie Humm
Read more: Interview with Maggie HummMaggie Humm reflects on feminist criticism, life-writing, and Virginia Woolf’s influence.
Edinburgh University Press
How colonial violence in Tasmania helped build scientists’ reputations and prestigious museum collections
by Jack Ashby, University of Cambridge Readers are advised this article contains the names of Aboriginal people who have died, and mentions attempted genocide, violence towards and offensive language about Aboriginal peoples. We might imagine that scientists gain recognition thanks…
Forging Late Roman Italy
by Jeroen Wijnendaele (This text incorporates my introduction for the book launch of Late Roman Italy at Hamburg’s RomanIslam centre – 21.11.2023) Fergus Millar once claimed that “Italy under the Empire has no history.” He meant that it had no…
Ridley Scott’s Napoleon: From Uniformed Soldier to Costumed Emperor
by Brontë Hebdon Early in Ridley Scott’s Napoleon (2023), Bonaparte and Josephine de Beauharnais see each other for the first time. Their eyes meet across the room at one of the infamous post-terror bals des victims, and both are immediately…
A Q&A with Daniela Berghahn on Exotic Cinema
by Daniela Berghahn Exotic Cinema author Daniela Berghahn chats to EUP on the inspiration behind the book and what surprised her most during the writing process. Tell us a bit about your book With my latest book Exotic Cinema, I…
Filming Modernity and Islam in Colonial Egypt
A Q&A with Heba Arafa Abdelfattah In this author Q&A, Heba Arafa Abdelfattah introduces her latest book, Filming Modernity and Islam in Colonial Egypt, which explores the formative years of Egyptian film (1919–52) to contest the contradiction between Islam and…
The Edinburgh Companion to Don DeLillo and the Arts: Q&A with the author
by Catherine Gander Tell us a bit about your book. The Edinburgh Companion to Don DeLillo and the Arts brings together 31 excellent international scholars. It’s the first book to comprehensively explore DeLillo’s life-long engagement with the arts – visual,…
Lady Justice as an Allegory in Motion
by Valérie Hayaert Animated by signs that are in essence mutable, Justitia (Lady Justice) may be perceived as an allegory in motion. Scholars who pretend to master the intricacies of this “science of images” (iconology) forget an important fact: allegories…
A Q&A with the authors of Liminal Noir in Classical World Cinema
by Lis Sodl, Elyce Rae Helford and Christopher Weedman Lis Sodl (M.A. Student, English Department, Middle Tennessee State University) interviews Elyce Rae Helford and Christopher Weedman on their new book, Liminal Noir in Classical World Cinema. Could you please briefly…
Cross-border Hydrogen Valleys – A step towards a hydrogen economy
by Marco Conte and Katharina Bouchaar, Enercy1 In recent years, the increasing interest in the clean Hydrogen sector has led key stakeholders across Europe to develop ambitious projects, with green hydrogen as the main protagonist: the so-called “Hydrogen Valleys.” The…
A Q&A with Susan Kerns on ReFocus: The Films of Susan Seidelman
by Susan Kerns ReFocus: The Films of Susan Seidelman editor, Susan Kerns, discusses researching the book, what surprised her during the process, the most exciting part of the project and whether her research changed her worldview in this fascinating Q&A.…