Robin Jackson explores the life and extraordinary range of work of 20th century German artist Hermann Gross
By Katherine Gillen Interest in Shakespeare’s economic philosophy intensified in the wake of the 2008 financial crash, reaching beyond academic circles into public discourse. For example, New York’s Public Theater hosted an event called “What Are We Worth? Shakespeare, Money and…
By Gillian Hughes Many of Stevenson’s longer works of fiction might be characterised as historical novels: in Weir of Hermiston Stevenson excavates Edinburgh’s Golden Age, that of Sir Walter Scott and James Hogg, and also its surviving physical traces in the…
By Lynne Pearce Quite apart from its utility as a means of transport – or, indeed, its significance as a status-symbol – the twentieth-automobile has provided drivers and passengers with a personalised refuge and thought-space in which to touch base…
By Lynne Pearce Both in the news and among those academics whose work is concerned with transport futures there appears to be a widespread assumption that driverless cars are both inevitable and desirable. While there is, as yet, no coherent…
By David Barnes With President Obama’s intervention in the British EU Referendum debate still fresh in the mind, it’s worth reflecting on the importance of the transatlantic axis for culture and history. For the Exit camp Obama’s intervention proved the…
By Claire White In France, the turn of the millennium ushered in a bold, and controversial, act of legal reform that sought to reshape the French citizen’s working life: the introduction of a 35-hour working week. For many, the law…
By Bill Angus If you have ever wondered what was really going on in the secret overhearing and tacit observations, the metadramatic inner-plays and devices which Shakespeare constantly revisits, you may have been told that he was ‘playing with the…
By Sean McEvoy William Shakespeare died four hundred years ago. We know he departed this life on 23 April 1616 because the parish register at Holy Trinity Church Stratford-upon-Avon records the fact. But we don’t have the same proof that…
By Kevin Curran, University of Lausanne What is it about Shakespeare’s writing that makes it endure? Why do his plays and poems continue to entertain, engage, and instruct more than 400 years on? I think it might have something to do with…