How is Ireland’s housing crisis shaping Irish art today? Sarah Churchill asks contemporary Irish artists Aideen Barry and Spicebag for their thoughts.
by Geoffrey Marsh Given that there is little information about Shakespeare’s life, people ask what made me think there was enough to write another book. The short answer is I didn’t. While I would like to claim that Living with…
By Stuart Gillespie I was one of the two founding editors of this journal in 1992. Anyone involved with a publication for this long will have travelled far, and when I look back over the thirty-year lifespan of Translation and…
By Stanley Gontarski American outlier writer, William S. Burroughs, was a creative force, as a writer in his own right, and as a cultural theorist, particularly his anticipation of what we now regularly call “a society of control” or “a…
Participants in the protests following the murder of George Floyd in Minnesota have emphasised historical continuity in the experience of racist oppression in the United States.
Towards the end of Sally Rooney’s acclaimed novel Normal People, the two main characters, Connell and Marianne, talk sleepily one morning about whether it’s possible ever really to know another person. ‘I guess everyone is a mystery in a way’,…
Issue 6:1 of CounterText features ‘The Fever Chart’, a new and extraordinarily timely novella by John Kinsella. Begun in late 2019 as the author was emerging from a prolonged bout of feverish ‘flu, and finished in the first few weeks…
CounterText: A Journal for the Study of the Post-Literary is five years old! To celebrate the occasion, Edinburgh University Press and the journal’s editorial team (based at the Department of English at the University of Malta) have put together a…
Audrey Murfin explores Robert Louis Stevenson and his methods of Character Creation
“One Day More”: Les Misérables and the Hong Kong Protests
Tom Ue discusses the relation between Les Misérables and the Hong Kong Protests