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Jacobites, Logwood and Enslavement
Read more: Jacobites, Logwood and EnslavementRethinking Scots' activities in the Early Modern Caribbean


Rethinking Scots' activities in the Early Modern Caribbean

By Kim Wilkins This year marks the twentieth anniversary of Spike Jonze’s first feature film, Being John Malkovich. Until Being John Malkovich’s release in 1999, the name “Spike Jonze” was predominantly associated with music videos and skateboarding videography. Some of these…

Barton Palmer, co-series editor of Traditions in World Cinema and Calhoun Lemon Professor of Literature at Clemson University, interviews Charlie Michael about the latest book to publish in the series: ‘French Blockbusters: Cultural Politics of a Transnational Cinema’. Palmer: Tell…

By James Fleury, Bryan Hikari Hartzheim and Stephen Mamber This year marks a significant turning point for a number of recognizable media franchises: Avengers: Endgame brings several character arcs to a close within the Marvel Cinematic Universe, the series finale…

By Calum Waddell Last year’s superior possession shocker Hereditary (from director Ari Aster) and the recent release of Jordan Peele’s Us has resulted in a new term, ‘elevated horror’, being introduced into the critical lexicon, much to the chagrin of…

In 1998, the celebrated lesbian film scholar B. Ruby Rich wrote: ‘I don’t want to make the mistake of falling into that comfortable old victim box, complaining of absence in the midst of presence. We’re not invisible anymore’ (58). In…

Twenty years ago the Dardenne brothers’ film Rosetta (1999) thrust Belgian cinema into the international spotlight by winning the top award at Cannes film festival for the first time. Belgian film culture is still widely celebrated, since, at the time…

Missy Molloy, Mimi Nielsen and Meryl Shriver-Rice caught-up with Academy Award®, Golden Globe Award and Emmy Award winning writer and director Susanne Bier, as research for their recently published book ReFocus: The Films of Susanne Bier. The full interview is…

Our book examines how and where women made and showed their films; and what those experiences reveal about the women holding the cameras and the profoundly changing twentieth century world they captured on film. Whether teachers, homemakers, unmarried, middle or…

In his new book, The Birth of the American Horror Film, Gary D. Rhodes delves into the archives to focus on 10 key horror genres prominent in American cinema between 1895 and 1915. From ghosts and witches to mad scientists…