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Making Fields: Women in Publishing
Read more: Making Fields: Women in Publishingby Nicola Wilson, Claire Battershill, Sophie Heywood, Marrisa Joseph, Daniela La Penna, Helen Southworth, Alice Staveley and Elizabeth Willson Gordon […]
Traces of the Aftermath: Uses of the Perpetrator Archive in Mexican Film
by Niamh Thornton Niamh Thornton introduces the case studies she uses in her chapter from Legacies of the Past: Memory and Trauma in Mexican Visual and Screen Cultures. Finding a space to discuss memory and trauma In order to talk…
Marvel’s Scarlet Witch: From Page to Screen
by Miriam Kent Wanda Maximoff, known as the Scarlet Witch, is one of Marvel’s most enduring characters. Her history has spanned multiple decades and media formats. Disney+’s WandaVision recently receiving praise for its characterisation, aesthetics and settings. WandaVision inserted Scarlet…
Stars in Cars: A Look at Italian Vehicular Stardom
by Alberto Zambenedetti Sophia Loren relaxing by the side of the road, next to her broken-down Mercedes-Benz 300 SL Gullwing. Vittorio Gassman speeding through a deserted Rome in a beat-up Lancia Aurelia B24 convertible. Rossano Brazzi taking down the top…
Centering the Victim
Niamh Thornton, co-editor of Legacies of the Past explores the changing role of the victim in discussions of violence. A change of focus towards the victim A shift is taking place in whose stories are told. It has been a…
The Life and Career of Paul Leni
by Erica Tortolani and Martin Norden Silent-era film director Paul Leni was at the forefront of German filmmakers whose stylistically daring and narratively innovative productions garnered international acclaim and who found themselves heavily recruited by Hollywood studios during the 1920s.…
10 Beats of The Pulse in Cinema
By Sharon Jane Mee and Bill Hunt [Content Note: This post contains shots from films depicting blood and gore] One of the things that became apparent to me as I was writing my book, The Pulse in Cinema: The Aesthetics…
New Blood in Contemporary Cinema: Women Directors and the Poetics of Horror
by Patricia Pisters Watching horror movies Previously, I truly disliked horror films. In the late 1980s Brian de Palma’s Carrie (1976) was shown on television. I did not want to see it, but my friends and sister convinced me that…
Confusion and disorientation in Edward Yang’s Terrorizers
Confusing films Watching narrative films can be one of the most engrossing aesthetic experiences possible. It can also be completely alienating – there are few things more boring than a boring film! But some films can be both engrossing and…
Visually Speaking: African American Films Past and Present (Part Five)
In the final part of this five-part series on African American film, Geetha Ramanathan discusses 2017 hit “Get Out” alongside Kathleen Collins’s “The Cruz Brothers and Miss Malloy” to consider different ways race relations are portrayed on screen. Click here…