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A conversation with Demet Çaltekinon on ‘Conscientious Objection in Turkey’
Read moreby Demet Aslı Çaltekin Can you tell us a bit about Conscientious Objection in Turkey: A Socio-legal Analysis of the…

The Place of Breath in Cinema: 10 Years On
Dr Davina Quinlivan The interdisciplinarian is best equipped to walk inside (and alongside) the lands of breathlessness, translating across border-lands wherever possible…

Maurizio Cinquegrani on writing ‘Film, Hot War Traces and Cold War Spaces’
by Maurizio Cinquegrani Film, Hot War Traces and Cold War Spaces was released in August by Edinburgh University Press; it’s…

Q & A with the author of Music in the Horror Films of Val Lewton
by Michael Lee Tell us a bit about your book… Music in the Horror Films of Val Lewton offers interpretive…

Natalia Christofoletti Barrenha talks Lucrecia Martel
In this interview, Natalia Christofoletti Barrenha, co-editor of ReFocus: The Films of Lucrecia Martel (out now in our series ReFocus: The International Directors…

Downton Abbey, Britishness and Class
by John White In the second of a short series of extracts from British Cinema and a Divided Nation (EUP,…

Mary Queen of Scots in British Cinema & Society
by John White In the first of a short series of extracts from British Cinema and a Divided Nation (EUP,…

Why Focus on Director Robert Altman’s Last Quarter Century?
by Lisa Dombrowski and Justin Wyatt Film director Robert Altman was one of the leading creative forces of the last…

Japanese High School Films: My 4 Favourites!
By Peter C. Pugsley In Japanese High School Films: Iconography, Nostalgia and Discipline, I write about how high school-based films capture…

After Portraits, Petite Maman: A New Film by Céline Sciamma
by Emma Wilson Céline Sciamma: Portraits (2021) I suggested a book on Céline Sciamma for the Visionaries series after seeing…