• o Reproduction of a sketch bound in the pages of the periodical issue. On the left the artwork represents a human figure crouched down on the grass and looking at a smaller-size, nymph-like female figure standing on the right beside two daffodils (the titular Spirit of the Daffodil). Of the observer mainly his head and hands are visible and are painted in darker tones. Hues for the daffodil nymph are lighter and brighter.

Class and Feeling in the Films of Jia Zhangke

Class and Feeling in the Films of Jia Zhangke

In 2008, I saw Jia Zhangke’s film Still Life, and it changed my life. I had never seen a film that had affected me so intensely and knew that, after that moment, I needed to research this director and his films further. What impacted me the most about Jia’s films were their emotional and affective qualities, and how they evoked feelings that lingered long after the films had ended.