• Colour drawing of a staged theatrical scene framed by two symmetrical classical structures with niches containing gilded statues, flanked by trees. At the centre, a painted backdrop shows an island within an archipelago, with a visible settlement; in the foreground, a vessel approaches the shore. Four figures stand before the backdrop holding branches and other objects. The composition is enclosed within a thin rectangular gold border.

Scotland’s Referendum

By Michael Rosie, Special Editor for Scottish Affairs, Volume 23.3 (2014) Scotland does not stand still. The last 15 years have seen four elections, the death of a First Minister, the transition from a Scottish Executive to a Scottish Government.…

Scottish Philosophy: Mind and Society

By Gordon Graham The tradition of Scottish philosophy had always had twin foci – the working of the human mind, and the social life of human beings. Some philosophical traditions hold these two areas of inquiry largely apart – Rationalism…

Christian Healing and Christian Dying

Fascinating insight into how Christian societies in the non-western world respond to sickness and death is given in the latest issue of Studies in World Christianity. Brian Stanley, Editor explains in his introduction that how to care for the sick and…

Scottish Philosophy: Neglect and Renewal

By Gordon Graham Philosophy played a key role in the curriculum of the Scottish universities from their foundation in the 15th century to the closing decade of the 19th century. By the middle of the 20th century, however, Hume’s great…

Gordon Graham

Scottish Philosophy: Project and Legacy

By Gordon Graham The Scottish philosophical tradition found its richest and most influential expression in the investigations Scottish philosophers of the 18th century conducted in their project of a ‘science of human nature’. This project, uniquely, tackled traditional philosophical problems…