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Children, Charity and Magazines
Read more: Children, Charity and MagazinesA Q&A with the author of Philanthropy in Children’s Periodicals, 1840–1930: The Charitable Child.
5 places where modernism survived
Adapting or recasting the formal experiments of their modernist forebears...Here is a brief tour of five places where modernism survived well into the second half of the twentieth century.
The Woman Writer’s Playbook to Fighting Censorship
This isn’t The Handmaid’s Tale. It’s Brave New World. But without soma.
Seamus Heaney, Virgil and the Good of Poetry
The work and life of Seamus Heaney (1939-2013) were, in Bill Clinton’s words, a gift to the world: ‘His mind, heart, and his uniquely Irish gift for language made him our finest poet of the rhythms of ordinary lives.’
Q&A with Beth Rigel Daugherty
Q&A with EUP author Beth Rigel Daugherty about her research project and two new books about the life and works of Viginia Woolf
All Stories Run on Two Tracks:What Formalism Offers Presentism
EUP author Katherine Voyles discusses the process around writing a double review for the Victoriographies Journal.
Why You Should Read Allan Ramsay’s ‘The Gentle Shepherd’
What Scottish play, published in 1725, reached over 100 printings by 1800, was called ‘the noblest pastoral’ by Robert Burns, inspired more than forty paintings, more than ‘from the entire works of Chaucer, Defoe, Swift, Richardson, or Fielding’ (R. Altick, Paintings from Books), and was performed by amateur companies throughout Scotland as late as the end of the 19th century?
How I came to make an edition of an imaginary musical text
Allan Ramsay and his 1720s Edinburgh adventure in ballad opera
Ben Jonson on the Internet
Compared with video material dealing with Shakespeare, there are relatively few really helpful videos dealing with Ben Jonson, either on the internet in general or on YouTube in particular. This, of course, is also true of most “Renaissance” authors aside from “the Bard.” However, one particularly valuable video documentary dealing to some degree with Jonson (and in fact titled “Ben Jonson”) was released as part of the “ShaLT [Shakespearean London Theatres] Project”:
CounterText 8.1 – The Mimetic Condition
The articles in this special issue offer powerful transdisciplinary testimony to the rich potential of the contemporary return to mimesis, and in doing so suggest ways in which the mimetic turn and the post-literary turn may be understood as critically supplementing each other. In this short accompanying video Guest Editor Nidesh Lawtoo offers a foretaste of what readers can expect.