Is there any such thing as a new idea? Bryony Coombs discusses similarities in artistic expression, centuries apart.
by Lilah Grace Canevaro 1. Stone can sing You don’t notice your windows when they’re clean. You might enjoy the sun streaming through them, or – more often in my experience – listen to the rain as it patters against…
by Jamie Callison Ask for a description of a mystic or a follower of mysticism, and you might be greeted with a portrait of an otherworldly recluse speaking in riddles and perhaps evincing some unusual physical symptoms like those found…
by Derek Attridge There are two names in the subtitle of my book Forms of Modern Fiction: Reading the Novel from James Joyce to Tom McCarthy. One of these is less well-known than the other; in fact, for many readers,…
by Joan Lord Hall What inspired you to research eros in Shakespeare’s work? Knowing that I had taught Shakespeare for about 40 years and had authored several guides to his play, a friend provocatively asked me “Why don’t you write…
by Jeff Wallace When you’ve written something exploratory, it can take a little while to work out what it is that you’ve done. This blog about my new book Abstraction in Modernism and Modernity: Human and Inhuman is written from…
by Amanda M. Dennis Tell us a bit about your book. Beckett and Embodiment interrogates the strange, disconcerting representations of the human body across Samuel Beckett’s work. Such attention to the body and the varied forms it takes—often integrated with…
by Mario Aquilina and Nicole B. Wallack On 29 March 2023, two of the editors of The Edinburgh Companion to the Essay, Mario Aquilina (The University of Malta) and Nicole B. Wallack (English and Comparative Literature, Columbia University) led a roundtable with…
by Stephanie Palmer, Myrto Drizou, and Cécile Roudeau The US author Mary E. Wilkins Freeman (1852-1930) is best known, read and taught as the author of short regionalist fiction set largely in rural New England, a region she depicts in…