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Children, Charity and Magazines
Read more: Children, Charity and MagazinesA Q&A with the author of Philanthropy in Children’s Periodicals, 1840–1930: The Charitable Child.
“Is Such A Life Worthy of the Name?”: Christopher Douglas on the Adaptation of George Gissing’s The Odd Women (Part 2)
by Tom Ue Continued from Part 1 Your integration of The Taming of the Shrew when describing Rhoda and Everard is so clever, but have you thought about reading—as Gissing does—Widdowson’s and Monica’s story in terms of Othello? Yes, I…
“Is Such A Life Worthy of the Name?”: Christopher Douglas on the Adaptation of George Gissing’s The Odd Women (Part 1)
by Tom Ue George Gissing’s novel The Odd Women (1893) opens, in 1872, with Dr Madden declaring his intention to insure his life for a thousand pounds. Things are looking up for the family. “[P]rofessional prospects,” he assures his eldest…
All Stories Run on Two Tracks:What Formalism Offers Presentism
Writing Letters, Writing Lives: Dash & Lily and Born in Exile
By Tom Ue Dash & Lily (2020-), Netflix’s charming new adaptation of Rachel Cohn’s and David Levithan’s popular YA series (2010-), has achieved an enviable 100% on Rotten Tomatoes, with critics lauding its performances, story, and festive mood. The first…
Thanks for all the fish’ and Other Old Clichés – Part 2
By Julian Wolfreys This ‘valedictory’ editorial appears on the EUP Blog in two parts and is published in Volume 7 of Victoriographies, a journal of Victorian writing in the long 19th century, 1790-1914. <Read Part One The point of this…
Thanks for all the fish’ and Other Old Clichés – Part 1
By Julian Wolfreys This ‘valedictory’ editorial (on the significance of Victorian) appears on the EUP Blog in two parts and is published in Victoriographies Volume 7. People soak up time like sponges. They steep themselves in it, amass it…
Five Unmissable Performances from Penny Dreadful
By Benjamin Poore For the uninitiated, Penny Dreadful is a genre-busting neo-Victorian fantasy horror show, set in the 1890s, in a world where Victor Frankenstein, his Creature, Professor Van Helsing, and Dorian Gray can all co-exist. It’s a world where…
A Study in Four Colours: The Case of the Chameleon Detective
By Lucyna Krawczyk-Żywko Sherlock Holmes, “the most portrayed literary human character in film and TV” (Guinness World Records News), is skilled at disguising himself and adjusting to different circumstances and yet remaining himself. Few literary characters lose so little in…