• Colour drawing of a staged theatrical scene framed by two symmetrical classical structures with niches containing gilded statues, flanked by trees. At the centre, a painted backdrop shows an island within an archipelago, with a visible settlement; in the foreground, a vessel approaches the shore. Four figures stand before the backdrop holding branches and other objects. The composition is enclosed within a thin rectangular gold border.

Journalism under hybrid politics

by Kjetil Selvik, Jacob Høigilt Only a few years ago, Tunisia was the freest country in the Arab world, with a flourishing media scene. Journalists were scrambling to reinvent their role in the public sphere that emerged after the Jasmine…

What are Tribes? Do They Still Matter?

by Scott Weiner What is a tribe? Social scientists have long been interested in tribes, but political science has struggled to talk about them. Tribes exist on every inhabited continent and are as foundational to many states as political parties,…

How Information Warfare Shaped the Arab Spring

How Information Warfare Shaped the Arab Spring

An interview with Nathaniel Greenberg – author of How Information Warfare Shaped the Arab Spring: The Politics of Narrative in Tunisia and Egypt – first featured on the Jadaliyya website. Read the original interview Jadaliyya (J): What made you write…