Aliya A Ali explores how kinship and marriage alliances shaped political power and governance in the early Islamic city of Kūfa.
by Alexia L. Bowler and Adele Jones Refocus: The Films of Jane Campion (2023) is the first collection of scholarly essays on Oscar winning film director Jane Campion, director of The Piano (1993) and more recently The Power of the…
by Joe Street Tell us a bit about your book Silicon Valley Cinema is about a sequence of films that were mostly released in the 2010s that focused on the impact of Silicon Valley corporations on our lives. Some of…
by Mani Sharpe and Daniel Goldenberg Read the original interview in French Shot in 1959, Le Retour is a short film directed by Daniel Goldenberg, in collaboration with the ex-paratrooper, Yann le Masson, who was responsible for cinematography, alongside Georges…
by John Price Tell us a bit about your book ReFocus: The Films of William Wyler is a collection of critical essays, by contributors from both sides of the Atlantic, on one of the most successful and awarded directors of…
by Josephine Botting Approaching an archival collection the scale of Adrian Brunel’s is a daunting prospect. Every box contains a hotchpotch of items, which at first defy coherence: snapshots, letters, diaries, cuttings, contracts, scribblings on scraps of paper, legal summons…
By the editors of IJHAC IJHAC: A Journal of Digital Humanities has been published since 1989, initially under the name History and Computing. It is one of the longest running journals in digital humanities. Recently, the journal broadened its thematic scope and…
by Whitney Strub and Peter Alilunas Tell us a bit about your book Alilunas and Strub: ReFocus: The Films of Roberta Findlay is the first collection of scholarly essays on the notorious, groundbreaking, iconoclastic, controversial, talented, subversive, and often funny…
by Mani King Sharpe In the late 1950s and early 1960s, a spate of ‘late-colonial’ French films were made that thematised the Algerian War of Independence (1954-1962), as it was occurring. Some of these films, for example, Muriel (Resnais, 1963),…
Dr Davina Quinlivan The interdisciplinarian is best equipped to walk inside (and alongside) the lands of breathlessness, translating across border-lands wherever possible as she moves. This is because an inter-disciplinarian is identifiable by her movement, the willingness to depart from her discipline, to…