• Profile half-length photograph of a man facing to the left wearing a dark jacket and tie, holding a cigarette in his hand, with a white handkerchief in his jacket breast pocket. The man has a prominent straight nose, slicked back hair and his tie forms a slight arch from the knot. In the background, on the left side of the image, there is another half-length frontal portrait of a man. He has white hair, also wears a jacket and tie, is looking to the right, and is smiling.

Jean-Luc Nancy and the Harlem Tiger

By Carrie Giunta Daily life in New York City has its many challenges. In the concrete jungle, it’s a struggle to survive. But when one Harlem resident kept a 500-pound tiger and a seven-foot alligator as roommates, it raised philosophical…

2015 round-up: Most read in Edinburgh Journals

2015 was a great year for Edinburgh University Press Journals. We published over 750 articles across 39 journals, several of our journals, including the Journal of Scottish Philosophy and Modernist Cultures, increased in frequency and we were delighted to welcome…

The Devils Reconsidered

By Christophe Van Eecke Ken Russell is often considered more or less the court jester of British film history, and his films have not always been taken quite as seriously as they deserve. This holds true even of The Devils…

Cinema – An Extract from The Badiou Dictionary

Badiou's interventions on cinema are scattered over a large time span, dispersed in myriad film reviews, short articles and conferences, and for the main part are devoted to discussing one or several individual films, as evidenced by his recently published collection, Cinema.

Journal of British Cinema and Television

Dai Vaughan, John Berger, and disciplinary boundaries

Three years ago, Richard Macdonald and I compared Dai Vaughan (1933-2012) with two other ‘outstanding figures of his generation’, Robin Wood (1931-2009) and V F Perkins (1936-). The comparison is worth extending. Wood and Perkins are now regarded as key figures…