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Autopoietic Machines
Read more: Autopoietic MachinesRethinks the concept of power in relation to an emerging form - sensory power
Natalia Christofoletti Barrenha talks Lucrecia Martel
In this interview, Natalia Christofoletti Barrenha, co-editor of ReFocus: The Films of Lucrecia Martel (out now in our series ReFocus: The International Directors Series), talks about this new volume and what led her to research Martel’s work. Can you tell us a little…
Downton Abbey, Britishness and Class
by John White In the second of a short series of extracts from British Cinema and a Divided Nation (EUP, 2022), John White looks at Downton Abbey (Michael Engler, 2019). The quick series of shots presented to the audience at…
Mary Queen of Scots in British Cinema & Society
by John White In the first of a short series of extracts from British Cinema and a Divided Nation (EUP, 2022), John White looks at Mary Queen of Scots (Josie Rourke, 2018). In this film we are presented with a…
Why Focus on Director Robert Altman’s Last Quarter Century?
by Lisa Dombrowski and Justin Wyatt Film director Robert Altman was one of the leading creative forces of the last great period of Hollywood filmmaking known as the New Hollywood or Hollywood Renaissance. Much critical analysis has addressed this early…
Japanese High School Films: My 4 Favourites!
By Peter C. Pugsley In Japanese High School Films: Iconography, Nostalgia and Discipline, I write about how high school-based films capture a steady market in Japanese cinema. From the 100 plus high school films released in just over five years (2014-2020),…
After Portraits, Petite Maman: A New Film by Céline Sciamma
by Emma Wilson Céline Sciamma: Portraits (2021) I suggested a book on Céline Sciamma for the Visionaries series after seeing her first three films, Waterlilies (2007), Tomboy (2011), and Girlhood (2014). I was moved by the sensitivity of her imaging…
What is post-horror? A Q&A with David Church, author of Post-Horror: Art, Genre, and Cultural Elevation
In this interview, David Church discusses Post-Horror: Art, Genre and Cultural Elevation, exploring the meaning of post-horror, its recent popularity and the films he examines in his book. Broadly speaking, what is ‘post-horror’? I see ‘post-horror’ or ‘elevated horror’ films…
Author interview: Christian Long talks Albert Brooks
In this interview, Christian Long, editor of ReFocus: The Films of Albert Brooks (out now in our series ReFocus: The American Directors Series), talks about the work of Albert Brooks and what led him to research it. Can you tell…
Traces of the Aftermath: Uses of the Perpetrator Archive in Mexican Film
by Niamh Thornton Niamh Thornton introduces the case studies she uses in her chapter from Legacies of the Past: Memory and Trauma in Mexican Visual and Screen Cultures. Finding a space to discuss memory and trauma In order to talk…