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5 ways to (un)teach the canon
Read more: 5 ways to (un)teach the canonAnnelies Van Assche explores five innovative ways to challenge the dance canon and expand beyond Eurocentric narratives.
5 lesser-known examples of late-colonial French cinema
by Mani King Sharpe In the late 1950s and early 1960s, a spate of ‘late-colonial’ French films were made that thematised the Algerian War of Independence (1954-1962), as it was occurring. Some of these films, for example, Muriel (Resnais, 1963),…
Q & A with the author of Music in the Horror Films of Val Lewton
by Michael Lee Tell us a bit about your book… Music in the Horror Films of Val Lewton offers interpretive analyses of Val Lewton’s horror films as seen through the lens of the music within them. Lewton, who both produced…
Traces of the Aftermath: Uses of the Perpetrator Archive in Mexican Film
by Niamh Thornton Niamh Thornton introduces the case studies she uses in her chapter from Legacies of the Past: Memory and Trauma in Mexican Visual and Screen Cultures. Finding a space to discuss memory and trauma In order to talk…
Stars in Cars: A Look at Italian Vehicular Stardom
by Alberto Zambenedetti Sophia Loren relaxing by the side of the road, next to her broken-down Mercedes-Benz 300 SL Gullwing. Vittorio Gassman speeding through a deserted Rome in a beat-up Lancia Aurelia B24 convertible. Rossano Brazzi taking down the top…
The Life and Career of Paul Leni
by Erica Tortolani and Martin Norden Silent-era film director Paul Leni was at the forefront of German filmmakers whose stylistically daring and narratively innovative productions garnered international acclaim and who found themselves heavily recruited by Hollywood studios during the 1920s.…
Inventing London on Blackfriars Bridge, 1896: Part Two
By Sean Cubitt Catch up with Part One of this blog post. Note from the editors of Journal of British Cinema and Television: Given the current state of culture war, the Journal of British Cinema and Television is extremely keen to encourage further…
Inventing London on Blackfriars Bridge, 1896: Part One
By Sean Cubitt Note from the editors of Journal of British Cinema and Television: Given the current state of culture war, the Journal of British Cinema and Television is extremely keen to encourage further discussion of the sort of topics covered in…
Visually Speaking: African American Films Past and Present (Part Four)
In part four of this five-part series, Geetha Ramanathan uses two examples to consider how African American films of the 1970s and 1980s explored America’s relationship with race. Click here to read part one of the series. Over the course of African…
Visually Speaking: African American Films Past and Present (Part Three)
In part three of this five-part series, Geetha Ramanathan explores the use of American mythology and folklore in two African American films. Click here to read part one of the series. The great mythology of the US is written on…