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Q&A with the author of Performing Worlds at the Baroque Court of Christine of France
Read more: Q&A with the author of Performing Worlds at the Baroque Court of Christine of FranceThis interview explores how Christine of France used Baroque court spectacles to shape political authority, global imagination, and cultures of consumption.
Understanding Emerging Trends in the European Union Climate Litigations as a Neo-Functionalist: Part One
By Shashi Kant Yadav “If groups within or among states believe that supranational institutions are more promising than national institutions…
A Cannibal Poet In King James’ Court
By Brett Andrew Jones It wasn’t every day that accusations of cannibalism flew around the early Jacobean court. That’s (one…
Blood and Vellum: Manuscripts and Materiality in a Pandemic
By Bryony Coombs In March 2020 I was working in the Mitchell Library in Glasgow, conducting research on a fifteenth…
The Importance of Place
By Jennifer Burek Pierce Place is central to John Green’s The Fault in Our Stars and to the community of…
Something Other than a Crisis: Derrida’s Last Reading of Husserl
By Sean Gaston In my recent article And Don’t Forget Phenomenology, Etc. in Derrida Today 14.1 (2021), I refer in…
Using digital technology to uncover ‘invisible’ patterns in language and society
By Adnan Ajšić If you have seen the 1999 movie The Matrix, you will remember the green code tumbling down…
Q&A with the editors of Reverberations of Revolution: Transnational Perspectives, 1770-1850
by Elizabeth Amann & Michael Boyden 1. How did this book come about? Michael: This collected volume came out of a…
Souvenirs of the Victorian Global Bookshelf
by Alexander Bubb It began with a case of mistaken identity. In 2016 I was growing deeply interested in The…
C. S. Lewis and His Medieval Mirror
By Erik Eklund C. S. Lewis is best known for his introductory exposition of Christianity, Mere Christianity (1952), as well…