Patrick Valiquet asks why contemporary sound studies forgets the troubling moral and political aspects of Pierre Schaeffer’s experimental music research.
by Xiaofei Shi and Labao Wang Does Chinese children’s literature have a prehistory? While it is presumptuous to date the…
In this exclusive extract from chapter 6 of The Eurasian Steppe, author and archaeologist Warwick Ball explores the material culture…
In this interview, Christian Long, editor of ReFocus: The Films of Albert Brooks (out now in our series ReFocus: The…
In this interview, John Renard, author of Rumi: A Life in Pictures (out now from the Edinburgh Studies in Islamic…
by Hilan Bensusan Pointing is a thoroughly situated activity. One points at what is somehow around – even when one…
By Marta Kargól Some years ago, I discovered an extraordinary collection of embroidery samples preserved in The Museum Rotterdam. The…
By Christopher Stokes Skylarks, clouds, roses, rivers. What one of my undergraduate students once memorably termed the ‘flowers and s**t’…
By Neil Archer What makes a performance ‘truthful’? In one of my previous professional lives, as an actor, this question…
By Professor Tayseer Abu Odeh Journal of Holy Land and Palestine Studies is celebrating its 20th anniversary this year. Journal…