Welcome to February, where once again we are delving into the work of Jean-François Lyotard. A thinker and a critic, Lyotard was interested in the relationship between image and text, so it comes as no surprise that he examined…
By Julian Wolfreys This ‘valedictory’ editorial (on the significance of Victorian) appears on the EUP Blog in two parts and is published in Victoriographies Volume 7. People soak up time like sponges. They steep themselves in it, amass it…
Oxford Literary Review (OLR) founded in 1977 by Ian McLeod, Ann Wordsworth and Robert J. C. Young, is now celebrating its 40th anniversary. To celebrate, in each month of 2017 the Edinburgh University Press blog will highlight an influential article published…
By Sarah Wootton Light is recapturing the attention of contemporary writers, critics, and artists. Ann Wroe’s Six Facets of Light (Cape, 2016) is a series of brilliant reflections on the subject. In 2015 Münster’s Museum of Art and Culture staged…
By Enda Duffy Professor of English, UC Santa Barbara Fredric Jameson may be the world’s most distinguished literary and cultural theorist living today. His influence since the 1980s on materialist, cultural and literary criticism, from the U.S. to China, has…
By Lynne Pearce Quite apart from its utility as a means of transport – or, indeed, its significance as a status-symbol – the twentieth-automobile has provided drivers and passengers with a personalised refuge and thought-space in which to touch base…
By Lynne Pearce Both in the news and among those academics whose work is concerned with transport futures there appears to be a widespread assumption that driverless cars are both inevitable and desirable. While there is, as yet, no coherent…
By Andy Mousley I sometimes wonder which of Shakespeare’s characters most closely resembles Shakespeare himself: ambitious Macbeth? brooding Hamlet? the simultaneously romantic and anti-romantic Rosalind? It’s idle speculation, of course. Less idle (because the evidence is before us) is to…
By Bill Angus If you have ever wondered what was really going on in the secret overhearing and tacit observations, the metadramatic inner-plays and devices which Shakespeare constantly revisits, you may have been told that he was ‘playing with the…