By Sophie Chiari and Mickaël Popelard In this two part quiz, the editors of new book Spectacular Science, Technology and Superstition in the Age of Shakespeare pose some interesting questions in relation to Shakespeare and science and go on to quote from…
Welcome to the not-so-sunny days of August where, in the perpetual spirit of celebrating OLR’s 40th anniversary, we are sharing the work of Ann Smock, currently Professor Emerita of French at the University of California. Perhaps best known for her…
The notion of “sovereignty” has been made central to the debate heading toward Brexit, but what does it mean? Does ‘getting one’s country back’ mean recovering it from immigration, neoliberal capitalism, or both? Does it mean closing one’s borders and…
What do you imagine when you think about great Catholic art? Perhaps you call to mind the gilded pages of illuminated medieval manuscripts and the glories of Renaissance painting and sculpture. Maybe you recall more recent cinematic masterpieces, such as…
During the early 20th century avant-garde countries like France, Italy, Russia, and Germany provided fertile ground for manifesto writing: Dada, Surrealism, and myriad Futurisms all were born out of this rich soil – or, more fittingly, the ‘good factory muck’…
By Emily Ridge He who travels light is in a fair way to travel happily. But the happy state is not compassed without effort. There must first be wisdom in selecting the absolutely necessary, determination in discarding all else, and…
By Katherine Gillen Interest in Shakespeare’s economic philosophy intensified in the wake of the 2008 financial crash, reaching beyond academic circles into public discourse. For example, New York’s Public Theater hosted an event called “What Are We Worth? Shakespeare, Money and…
Welcome to July! This month we are doubly celebrating as, not only does OLR keep embracing the ripe age of 40 with grace, but Jacques Derrida was also born on this day in 1930. I, like many others I’m sure,…
By Gillian Hughes Many of Stevenson’s longer works of fiction might be characterised as historical novels: in Weir of Hermiston Stevenson excavates Edinburgh’s Golden Age, that of Sir Walter Scott and James Hogg, and also its surviving physical traces in the…