• Close up image of a large blueish buoy, engraved with images of people preparing fish.

Shakespeare’s Metadrama and the Informer

By Bill Angus If you have ever wondered what was really going on in the secret overhearing and tacit observations, the metadramatic inner-plays and devices which Shakespeare constantly revisits, you may have been told that he was ‘playing with the…

St. William of Stratford?

By Sean McEvoy William Shakespeare died four hundred years ago. We know he departed this life on 23 April 1616 because the parish register at Holy Trinity Church Stratford-upon-Avon records the fact. But we don’t have the same proof that…

Shakespeare’s Questions

By Kevin Curran, University of Lausanne What is it about Shakespeare’s writing that makes it endure? Why do his plays and poems continue to entertain, engage, and instruct more than 400 years on? I think it might have something to do with…

Event of Style in Shakespeare’s Sonnets

The concept of the ‘event’ has accumulated around it a somewhat varied stream of interventions in contemporary philosophy and literary theory. In The Event of Style in Literature (Palgrave Macmillan, 2014) I tried to think of the event in relation…

Neo-Victorian Masculinities

There is a shortage of men in neo-Victorianism. Or that, at least, is how it would appear to look at many critical works on neo-Victorianism at the present time. Eleanor Catton’s Man Booker Prize winning novel, The Luminaries (2013), with…

Morris, Aeneids manuscript, p. 238 ( Aeneid 9.1-5) TAL 24 (2015)

William Morris’ Synthetic Aeneids

Jack Mitchell (Dalhousie University) addresses William Morris’ Aeneid translation of 1875 and explains in his article, William Morris’ Synthetic Aeneids: Virgil as Physical Object that “a key theme of Morris’ overall artistic creed, namely the need to make ideas concrete…