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Q&A: ‘Wladzio D´Attainville and the House of Balenciaga (1924–1948)’
Read more: Q&A: ‘Wladzio D´Attainville and the House of Balenciaga (1924–1948)’Ana Balda uncovers Wladzio D’Attainville's crucial impact on Cristóbal Balenciaga's fashion empire.


Ana Balda uncovers Wladzio D’Attainville's crucial impact on Cristóbal Balenciaga's fashion empire.

The concept of the ‘event’ has accumulated around it a somewhat varied stream of interventions in contemporary philosophy and literary theory. In The Event of Style in Literature (Palgrave Macmillan, 2014) I tried to think of the event in relation…
There is a shortage of men in neo-Victorianism. Or that, at least, is how it would appear to look at many critical works on neo-Victorianism at the present time. Eleanor Catton’s Man Booker Prize winning novel, The Luminaries (2013), with…
Dear Bob, ‘Tis I, Would-Be, unicorn with panther’s breath. Are you aware, Bob, that Black Panthers are generally the melanistic color variant of either a leopard or jaguar? This may seem a petty inconsequential factoid but think of the poor…
Global ‘overpopulation’, considered the central environmental issue in the 1970s, became an almost taboo topic in the twenty-first century, often dismissed as drawing attention away from international capitalism as the primary cause of poverty and environmental destruction and at worst catering to forms…

Heidi Thomson’s essay in the April 2015 issue of Romanticism considers how Wordsworth’s poem, “Song for the Wandering Jew” resists classification, particularly given its inclusion in the 1800 edition of Lyrical Ballads. Thomson argues that “the poem was a deflected…

“In its breadth of contributions by scholars and writers with a distinguished background in their respective fields, Postcolonial Springs will serve as an informed platform for debate across scholarly, political, cultural, and activist fronts. These urgencies – foremost amongst them the realities…

Jack Mitchell (Dalhousie University) addresses William Morris’ Aeneid translation of 1875 and explains in his article, William Morris’ Synthetic Aeneids: Virgil as Physical Object that “a key theme of Morris’ overall artistic creed, namely the need to make ideas concrete…

“What’s wrong with that bed, Joe?” — Samuel Beckett, Eh Joe (1965) There is something conspicuously odd about many of the everyday objects depicted in Samuel Beckett’s work. Items that are typically associated with the mundane, that usually sink into…

Priecīgus Ziemassvētkus! [Merry Christmas!] is a picturebook written by two Latvian refugees while displaced during the Second World War. The book, with its vibrant pictures and personal representation of the exile experience challenges existing children’s narratives of Christmas, war and…