• Colour drawing of a staged theatrical scene framed by two symmetrical classical structures with niches containing gilded statues, flanked by trees. At the centre, a painted backdrop shows an island within an archipelago, with a visible settlement; in the foreground, a vessel approaches the shore. Four figures stand before the backdrop holding branches and other objects. The composition is enclosed within a thin rectangular gold border.

Emotion, History and the Arts

Erin Sullivan and Marie Louise Herzfeld-Schild are guest editors of a special issue of Cultural History about ‘Emotion, History and the Arts’, published October 2018. Their introduction draws on a wide range of emotionally charged art works from different times and places—including…

Ben Jonson Journal Celebrates 25 Years

2018 marks the 25th anniversary of the Ben Jonson Journal. Read on and learn more about the history and impact of the journal from the editor, Richard Harp. History of the Ben Jonson Journal Richard Harp and Stanley Stewart met…

Genre, Authorship and Contemporary Women Filmmakers

Women’s Cinema as Genre Cinema

An extract from the introduction of Genre, Authorship and Contemporary Women Filmmakers By Katarzyna Paszkiewicz   I don’t think I’ve read the words women and film and feminism in the same sentence as much in the last few months since…

Nineteenth-Century Local Governance in Ottoman Bulgaria

Ninteenth-Century Local Governance in Ottoman Bulgaria

An account of how bureaucratic procedures created the space for political conflict and slander in nineteenth-century Ottoman Bulgaria and what can we learn from studying them. Why would a district head administrator arrest mules, or someone slander a governor with…

Rembrandt van Rijn, The Anatomy Lesson of Dr Nicolaes Tulp, 1632. Mauritshuis, Den Hague.

Finn Fordham on the Anatomy of Moments

Singing in a choir recently I was lucky enough to experience some intense moments, and less lucky in my attempts to think (again), about ‘moments’, the topic of my inaugural lecture, published in Volume 13.2 of Modernist Cultures. We were singing…