By Kim Wilkins This year marks the twentieth anniversary of Spike Jonze’s first feature film, Being John Malkovich. Until Being John Malkovich’s release in 1999, the name “Spike Jonze” was predominantly associated with music videos and skateboarding videography. Some of these…
Read on to find out about the latest research content you can access and read for free this month, from journal articles, to free sample chapters and open access books spanning across a range of our core subject areas. Film,…
By Alexandra Heller-Nicholas and Dean Brandum In late 2017, the annual “Black List” was released, a high-profile list of the most promising as yet unproduced screenplays circulating in Hollywood voted for by industry executives. This list of the top yet-to-be-made…
Barton Palmer, co-series editor of Traditions in World Cinema and Calhoun Lemon Professor of Literature at Clemson University, interviews Charlie Michael about the latest book to publish in the series: ‘French Blockbusters: Cultural Politics of a Transnational Cinema’. Palmer: Tell…
By James Fleury, Bryan Hikari Hartzheim and Stephen Mamber This year marks a significant turning point for a number of recognizable media franchises: Avengers: Endgame brings several character arcs to a close within the Marvel Cinematic Universe, the series finale…
The initial impulse for our book, Screening Youth, originated from the observation that, while the topic of youth has informed a great variety of productions over the years, little work had been done from an academic perspective to investigate this…
By Lucy Bolton This special issue of Film-Philosophy on film stardom is designed to do two things: to demonstrate the philosophical questions at the heart of many elements of studying and understanding actors as stars, and hopefully to provoke more…
By Calum Waddell Last year’s superior possession shocker Hereditary (from director Ari Aster) and the recent release of Jordan Peele’s Us has resulted in a new term, ‘elevated horror’, being introduced into the critical lexicon, much to the chagrin of…
In 1998, the celebrated lesbian film scholar B. Ruby Rich wrote: ‘I don’t want to make the mistake of falling into that comfortable old victim box, complaining of absence in the midst of presence. We’re not invisible anymore’ (58). In…