In James Benning’s film Concord Woods (2014), we watch a replica of Henry David Thoreau’s famous cabin at Walden Pond. The cabin is first shown during the summer solstice, graced by the golden sunlight. The shot lingers for sixty minutes…
Britain has long had a contradictory relationship to movie stardom, as two articles from the fan magazine Picturegoer, both by the same writer, both from 1943, eloquently demonstrate. In October, Lionel Collier had asked hopefully ‘are we making our own…
Film-philosophy has seen a resurgence of interest in phenomenology, particularly in its existentialist branch as exemplified by the work of Martin Heidegger, Jean-Paul Sartre and Maurice Merleau-Ponty. This is largely because much has been made of the turn to affect…
With less than a year separating the publication of two age related issues of the Journal of British Cinema and Television the urgency and relevance of such scholarship is thrown into sharp relief. In the context of an ageing population…
‘A future politics is given there so powerfully that it’s present as a trace even in certain reactions that, in the very force and determination of reaction, replicate horror’s preconditions…’ Fred Moten1 By foregrounding the experiences of slavery, a black…
An extract from the introduction of Spanish Erotic Cinema, edited by Santiago Fouz-Hernandez If there is something that the various writings on aspects of eroticism in Spanish films reveal it is that it is impossible to understand the history of…
By Stefanie Van de Peer Negotiating Dissidence: The Pioneering Women of Arab Documentary is publishing this month, and it’s a significant time for a book of this nature, with today being International Women’s Day. Several of the films discussed in the book…
By Stacey Abbott As the evenings draw in and the temperature drops, my mind turns toward the ghostly, the ghoulish and the gruesome (‘Tis the Season to be Gruesome’). These days it also turns toward the apocalyptic, with the autumnal…
By Benjamin Poore For the uninitiated, Penny Dreadful is a genre-busting neo-Victorian fantasy horror show, set in the 1890s, in a world where Victor Frankenstein, his Creature, Professor Van Helsing, and Dorian Gray can all co-exist. It’s a world where…