Confusing films Watching narrative films can be one of the most engrossing aesthetic experiences possible. It can also be completely alienating – there are few things more boring than a boring film! But some films can be both engrossing and…
In the final part of this five-part series on African American film, Geetha Ramanathan discusses 2017 hit “Get Out” alongside Kathleen Collins’s “The Cruz Brothers and Miss Malloy” to consider different ways race relations are portrayed on screen. Click here…
In part four of this five-part series, Geetha Ramanathan uses two examples to consider how African American films of the 1970s and 1980s explored America’s relationship with race. Click here to read part one of the series. Over the course of African…
In part three of this five-part series, Geetha Ramanathan explores the use of American mythology and folklore in two African American films. Click here to read part one of the series. The great mythology of the US is written on…
In part two of this five-part series, Geetha Ramanathan considers the use of the “ancestral archive” to discuss gender models and sexuality in African American films. Click here to read part one of this series. Artists from the US, the…
In this five-part series, Geetha Ramanathan, author of Kathleen Collins: The Black Essai Film (Edinburgh University Press, 2020), explores over a century of African American films and what they tell us about African American history both on and off screen.…
In and extended blog post, William Brown and David Fleming discuss 8 new introductions to their new book, The Squid Cinema from Hell.
William Brown and David H Fleming discuss the eight possible other introductions to their book The Squid Cinema from Hell.
A staple in cinema for decades, the vampire movie is a genre that is constantly being rejuvenated with fresh blood. Michael Guarneri looks to Italian cinema to introduce five vintage vampire movies you might not have seen. 1) L’ultima preda…